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מחול עכשיו 43
סיפורי עם – הקורונה וגילוי השורשים הגיאורגיםסתיו סטרוז בוטרוסHebrewMahol Akhshav-Dance Today428-10
שני העולמות של ג’ין ואמנון דמטיבלה רוביןHebrewMahol Akhshav-Dance Today4254-58
תפילת הגוף – סוד המחול היהודי במשנת רבי נחמן מברסלב – פרקים מתוך ספרהאורית ברוךHebrewMahol Akhshav-Dance Today4250-53
דיאלוג עם הזמן – שני תמרי מתן משוחחת עם היוצרים ניב שינפלד ואורן לאורשני תמרי מתןHebrewMahol Akhshav-Dance Today4234-36
הכרה באדמה Festival TransAmeriques – FTAFFאלעד שכטרHebrewMahol Akhshav-Dance Today4242-44
צאינה וראינה – עקבות ומחשבות מתוך תהליך היצירהסתיו מרין, מירב דגןHebrewMahol Akhshav-Dance Today4211-13
לחולל מרחבים משותפים – יום עיון לזכרה של הכוריאוגרפית אנה הלפריןפנינית פיינגולדHebrewMahol Akhshav-Dance Today4237-41
עבודה תלוית מקוםרננה רזHebrewMahol Akhshav-Dance Today4214-17
אמנות המחול וצנזורהיסמין משולמיHebrewMahol Akhshav-Dance Today4223-27
הצופה הו א הפרשנות שמחייה את היצירה – שיחה עם ד”ר רנה בדש עם צאת ספרה תיאטרונמחול – רשת של מרחבי הבעהשחר ברקוביץHebrewMahol Akhshav-Dance Today4245-49
גילי נבות והרהורים על ניהול אמנותיגבי אלדורHebrewMahol Akhshav-Dance Today4228-29
אינטרנט, דיגיטל ומדיה חברתית במחוליוסף ורנר טברצ'ניקHebrewMahol Akhshav-Dance Today4218-22
שחזור במחול – הכנס השנתי של התכנית לתואר שני במחול, האקדמיה למוזיקה למחול, ירושלים 2022שרון טוראלHebrewMahol Akhshav-Dance Today4232-33
מחול עכשיו 42
“If You Can Breathe, You Can Dance”Bella RubinEnglishMahol Akhshav-Dance Today4154-69
International Exposure 2021 – On-Line EditionNeta PulvermacherEnglishMahol Akhshav-Dance Today4150-53
The Speaking Body: An Approach in Contemporary Dance PedagogySharon VazannaHebrewMahol Akhshav-Dance Today4124-29
Striking Roots, and Flying: A Conversation with Shaden Abu ElasalHodel OphirHebrewMahol Akhshav-Dance Today4130-34
To Create and not just to Absorb”: A Conversation with Dr. Einav Katan-Schmid, for her new role as The Head of the School of Dance, Kibbutzim College of Education, Technology and ArtsShahar BerkowitzHebrewMahol Akhshav-Dance Today4138-39
New Book: “Azure and Crimson”: The Unfolding of Israeli Folklore Costume DesignEinav RosenblitHebrewMahol Akhshav-Dance Today4149
What is Left and what Disappears – About the Creative Process of InventoryNoa DarHebrewMahol Akhshav-Dance Today4110-12
Creators Write: Summer SnowElla RothschildHebrewMahol Akhshav-Dance Today413-9
“I will dance every day if it my last”Nira Paz, Hila WaldmanHebrewMahol Akhshav-Dance Today4140-48
Mahol Akhshav – Dance Today 41
“The course was undoubtedly a significant step towards my career as a dancer: “a course for dance instructors as a catalyst for the professional development of students in high school dance programsTalia Perlstein, Rachel SageeHebrewMahol Akhshav-Dance Today4117-23
I will dance every day as if it is my lastNira Paz, Hila WaldmanHebrewMahol Akhshav-Dance Today4140-48
Three Thoughts: Identity, Creation and Teaching: A Conversation with Tamara MielnikSharon TourelHebrewMahol Akhshav-Dance Today4135-37
Giraffes – Every Possible ConnectionOfra Yehudai, Igor Menshikov and Tchelet Har-YamHebrewMahol Akhshav-Dance Today4113-16
Missing Faces – Online PerformanceIrix ErezHebrewMahol Akhshav-Dance Today403-6
Amphi (1953/2020)Gaby Aldor with an introduction by Michal ShoshaniEnglishMahol Akhshav-Dance Today4056-59
She was Like a lighthouse to me: In Memory of Yardena CohenYael BarkaiHebrewMahol Akhshav-Dance Today4036-40
Steps in the Archive: In Memory of Amira MerozGuy DolevHebrewMahol Akhshav-Dance Today4041-46
Editor’s NoteRuth EshelHebrewMahol Akhshav-Dance Today401
Dance and GenderSigal ArmozaHebrewMahol Akhshav-Dance Today4030-35
Professional Identity of Dance TeachersShay HaramatiHebrewMahol Akhshav-Dance Today4015-19
The Choreography of Social Drama in the Black Lives Matter ProtestsTzaphira (Allison) SternHebrewMahol Akhshav-Dance Today4026-29
Play. Pause – Covid-19Shahar BerkowitzHebrewMahol Akhshav-Dance Today4051-52
Missing Faces – Online PerformanceIris ErezHebrewMahol Akhshav-Dance Today403-6
Independent Learning of Dance Movements from the Media among ChildrenMichal Hershkowitz MichaeliHebrewMahol Akhshav-Dance Today4011-14
Bat-Dor: A Story of a Dance Company – ReviewEinav RosenblitHebrewMahol Akhshav-Dance Today4053-55
Choreopoetry: An Experience of Freedom and Infinity in the Encounter between Poetry and DanceEfrat NehamaHebrewMahol Akhshav-Dance Today4030-35
1st Things FirstMichael GetmanHebrewMahol Akhshav-Dance Today407-10
Mahol Akhshav – Dance Today 40
The Voice of Dance Students During Covid-19Yonat RothmanHebrewMahol Akhshav-Dance Today4047-50
Martha Graham and the Cold War by Victoria PhillipsRuth EshelHebrewMahol Akhshav-Dance Today3946
Yonat Rothman, The Seed and the Shell: The Story of the Kibbutz Dance CompanyLiora Bing-HeideckerHebrewMahol Akhshav-Dance Today3945
Nationalism and Dance: at the 2019 International Dance ExposureJudith Brin IngberEnglish57-63
Nationalism and Dance: at the 2019 International Dance ExposureJudith Brin IngberEnglishMahol Akhshav-Dance Today3757-63
Suzanne Dellal Centre International Exposure for Dance 2020Judith Brin IngberEnglishMahol Akhshav-Dance Today3965-67
Displaced/Displayed – Surviving Dance in ExileThomas KampeEnglishMahol Akhshav-Dance Today3957-64
Interview with Suzanne Dellal Centre’s New Directors – Naomi Perlov and Anat Fischer LeventonRoy BedarshiHebrewMahol Akhshav-Dance Today3929-32
The Choreography of Corona in the Public SphereTzaphira SternHebrewMahol Akhshav-Dance Today3921-23
Dance the Doctorate and the Laws of PhysicsRoni ZoharEnglishMahol Akhshav-Dance Today3955-56
They were Larger than Life: In Memory of the Choreographers Yonatan Karmon and Yoav AshrielGdalit NeumanHebrewMahol Akhshav-Dance Today3952-54
In Memory of Moshe EfratiRina Schenfeld, Ester Nadler, Amnon Damti, Arye Yass, Rama Goren, Tami Luria-KatzHebrewMahol Akhshav-Dance Today3947-51
The Absent Present – A Reflective Journey to Examine the Craft of Rehearsal DirectingNoa Rachel RosentalHebrewMahol Akhshav-Dance Today3940-44
Mahol Akhshav- Dance Today 39
On Movement and LearningRoni ZoharHebrewMahol Akhshav-Dance Today3936-39
Time management, financial management and marketingZachi CohenHebrewMahol Akhshav-Dance Today3933-35
About Blindness – An Intervention in Public SpaceDana Hirsch LaiserHebrewMahol Akhshav-Dance Today3927-28
How I Went from dancer to Tour Guide in One CreationOri LenkinskiHebrewMahol Akhshav-Dance Today3924-26
We were Like Dreamers: The Situation of the Representative Folklore Dance TroupesDoron GuettaEnglishMahol Akhshav-Dance Today3916-20
Bodies Holding BackMichal ShahakHebrewMahol Akhshav-Dance Today3915
Corona Days- The Choreographers’ AssociationEdited by Yael (Yali) Nativ. Texts by: Aharona Israel, Sally Ann-Friedland, Orly Portal, Oren Nahum, Ilanit Tadmor, Dege Feder, Dana Rotenberg, Daniela Shufra, Rachel Bangora, Maayan Libman Sharon, Neta Pulvermacher, Noa Dar, Sahar Azimi, Sharona FlorsheimHebrewMahol Akhshav-Dance Today393-12
Editor’s Note – Dance Today 35Ruth EshelHebrewMahol Akhshav-Dance Today351
Editor’s Note – Dance Today 38Ruth EshelHebrewMahol Akhshav-Dance Today381
Song of Songs: Performance, Direction and Text by Douglas RosenbergDouglas RosenbergEnglishMahol Akhshav-Dance Today3858-67
Body, Dance, Site – An example of a Situation of a Research PracticeNeta PulvermacherHebrewMahol Akhshav-Dance Today3853-57
The Protest Dance in Rabin Square – 29 April 2020Eleanor Druker Ben-Zaken, Sharon Sagi, Mira RubinsteinHebrewMahol Akhshav-Dance Today386-8
An Interview with Miriam Kaufman: My Mythical Ballet TeacherSmadar WeisHebrewMahol Akhshav-Dance Today3829-43
A Conversation with Elie Lazar About the Program HaMisgeret – A Dance Program to Develop and Advance Dance StudentstYael EisenbergHebrewMahol Akhshav-Dance Today3844-45
A Four-Step: On the Transition to Distance Learning at the kibbutzim College Department of Dance, Spring 2020Shlomit OferHebrewMahol Akhshav-Dance Today389-11
Behind the scene of Adam & id – Sharon Zuckerman Wieser in a duet with Moshe Schechter AvshalomSharon Zuckerman WieserHebrewMahol Akhshav-Dance Today3817-20
Playing with Virtual Realities: A Practice-Based Research of Dancing with VR TechnologyEinav Katan-SchmidHebrewMahol Akhshav-Dance Today3825-31
Thinking Outside the Box – Contemporary Ballet for Adults: Proposal to Updating Adult TrainingHadar Ben-MeirHebrewMahol Akhshav-Dance Today3832-35
Liat Dror and Nir Ben gal: Starting Over in Sderot AdamaRachel WilnerHebrewMahol Akhshav-Dance Today3845-49
Celebrating the Unintelligible: A Conversation with Noa Zuk and Ohad Fishof on their CreationLior AvitzoorHebrewMahol Akhshav-Dance Today3821-24
In Their Memory – Vera Goldman, Eldar Elgrably, Amen Safiah, Yona LeviRuth Eshel, Tamir Gintz, Rina ShahamHebrewMahol Akhshav-Dance Today3850-52
Imagery and Movement in Noa Wertheim’s “Leela” – Vertigo Dance CompanyTzaphira SternHebrewMahol Akhshav-Dance Today3836-38
Live from the Living RoomRonit ZivHebrewMahol Akhshav-Dance Today3812-13
Choreographers Association: No Return to Routine! About What’s is Important – A Series of Zoom PanelsYael (Yali) NativHebrewMahol Akhshav-Dance Today383-5
HaramotLior TavoriHebrewMahol Akhshav-Dance Today3814-16
Mahol Akhshav – Dance Today – 38
Mahol Akhshav – Dance today 37
Intimacy, Nostalgia, Ghosts, Youthful Soundtrack in the Creation – When Love Walked InOded GraffHebrewMahol Akhshav-Dance Today3710-13
Tonight We Dance AgainGaby AldorHebrewMahol Akhshav-Dance Today373-5
In Memory of Ronit LandRuth EshelHebrewMahol Akhshav-Dance Today3365
In Memory of Tirza SapirRuth EshelHebrewMahol Akhshav-Dance Today330
הקולאז’ כאלמנט ביצירותיו של מרס קנינגהאםשרון טוראלHebrewMahol Akhshav-Dance Today2046-47
Karmiel Dance Festival – Where to?Dan RonenHebrewMahol Akhshav-Dance Today1452-53
פסטיבל המחול בכרמיאל – לאן?דן רונןHebrewMahol Akhshav-Dance Today1450-51
השפעתם של מרס קנינגהאם והמחול הניסיוני האמריקני על המחול ה”אחר” בישראלרות אשלHebrewMahol Akhshav-Dance Today2027-35
A Walk in the ArchiveRonit ZivHebrewMahol Akhshav-Dance Today3749-50
Reflections Following Diver Festival 2019Anat ShamgarHebrewMahol Akhshav-Dance Today3747-48
Haramat Masach (Curtain Up) Festival 2019Ruth EshelHebrewMahol Akhshav-Dance Today3745-46
Look to the Sky and Hope the Sun will Rise Tomorrow – About Cloud Gate Dance CompanyAnat ZechariaHebrewMahol Akhshav-Dance Today3741-44
The Unwritten LetterYonat RothmanHebrewMahol Akhshav-Dance Today3738-40
Dance Education/ Educational Dance – Observing Dance Teaching from an Educational PerspectiveRonit Ronen-TamariHebrewMahol Akhshav-Dance Today3731-34
Individual Voices for Discourse – A Look at Two Decades in Dance Research in IsraelSmadar WeisHebrewMahol Akhshav-Dance Today3724-30
Disruptive Movement – Unison in Dance as Stimulating and Destablizing MotifShani Tamari MatanHebrewMahol Akhshav-Dance Today3722-23
Interview with Nadia Timofeeva on the Dance MementoSharon TourelHebrewMahol Akhshav-Dance Today3720-21
Revealing Torah by DanceEfrat NehamaHebrewMahol Akhshav-Dance Today3718-19
And Now the BodyAnat Danieli, Omer Uziel, Yael Venezia, Kim Teitelbaum, Yair VardiHebrewMahol Akhshav-Dance Today3710-13
Via Doloroza 2012Galia Lever FabianHebrewMahol Akhshav-Dance Today376-9
“Intimacy, Nostalgia, Ghosts, Youthful Soundtracks in the Creation “When Love Walked InOded GraffHebrew10-13
Tonight We Dance AgainGaby AldorHebrew3-5
In Memory of Dan RonenRuth EshelHebrew1
מחול וגלות – הגירת רקדנים בתקופה הנאצית מאוסטריה (באנגלית בלבד)אנדראה אמורטEnglishMahol Akhshav-Dance Today3751-56
Anthropological Reflections on Contact-ImrpovisationMahol Akhshav-Dance Today37
Dublin Dance Festival: Dancing “Trio A” – About the Experience of Learning and Performing the Works of Yvonne Rainer 60 Years after the PremeierStav Bar-Nahum FrankHebrewMahol Akhshav-Dance Today3536-38
All the World’sa Stage: The Presence of Julia Kristeva’s Semiotic Dimension throught “Oyster’s” Theatrical WorldAvital Palmer Ben-GadHebrewMahol Akhshav-Dance Today3551-60
Hilde Holger: Legacy of an Expressionist, Emigrant, InnovatorJacqueline WaltzEnglishMahol Akhshav-Dance Today3639-43
Ghosts of the Past: The Creation of Pola Nirenska’s Holocaust TetralogyRima FaberEnglishMahol Akhshav-Dance Today3634-38
Dance as Therapy: A Jewish PerspectiveMiriam Roskin Berger with Joanna Gewertz Harris, Marsha Perlmutter Kalina and Johanna ClimenkoEnglishMahol Akhshav-Dance Today3679-82
Theologies of Modern DanceAlexander H. SchwanEnglishMahol Akhshav-Dance Today3675-78
Jewish Argentine Princess (The Sequel); A Possible Point of View about Jewish Choreographers and Dance Teachers in ArgentinaSilvina SzperlingEnglishMahol Akhshav-Dance Today3669-74
Jew in the PoolYehuda HymanEnglishMahol Akhshav-Dance Today3629-33
Is all that Jazzy Modern Dance JewishMerilyn JacksonEnglishMahol Akhshav-Dance Today3665-67
Correcting a Published Error: “Kamila Rosenbaumová, the choreographer of Terezin’s Broučci and Brundibár died in Auschwitz” and other QuandariesJudith Brin IngberEnglishMahol Akhshav-Dance Today3618-28
An Exploration of the Life and Work of Helen Tamiris – 1902-1966Elizabeth McPherson and JoAnne TuckerEnglishMahol Akhshav-Dance Today3649-53
Dancers Under Duress: The Forgotten Resistance of FirefliesLaure GuilbertEnglishMahol Akhshav-Dance Today3611-17
An Israeli Reflects on the Series of Articles on the Subject of Diaspora Jews and Jewishness in DanceRuth EshelEnglishMahol Akhshav-Dance Today3683-92
The Case of David Allan’s 1987 Ballet “Masada”: Did it Matter that the Topic was JewishJennifer FisherEnglishMahol Akhshav-Dance Today3654-58
Daniel Nagrin: On ‘This and That’ and Choreographic Methods as JewishnessDiane WawrejkoEnglishMahol Akhshav-Dance Today3659-64
Thoughts from Editor-in-ChiefRuth EshelEnglishMahol Akhshav-Dance Today363
Guest Editor’s Notes – Dance Today 36Judith Brin IngberEnglishMahol Akhshav-Dance Today365-6
Then in What Sense Are You JewishMarion KantEnglishMahol Akhshav-Dance Today367-10
Ida Rubinstein (1883-1960) Faded into Oblivion, WhyJudith Chazin-BennahumEnglishMahol Akhshav-Dance Today3644-48
AcknowledgementsRuth Eshel, Judith Brin IngberEnglishMahol Akhshav-Dance Today361
PrefaceNaomi JacksonEnglishMahol Akhshav-Dance Today364
Mahol Akhshav-Dance Today 36
הרמת מסך 2018גבי אלדורHebrewMahol Akhshav-Dance Today3539-40
Retrospective: HospitalityMichal SmamaHebrewMahol Akhshav-Dance Today3544-47
Local DanceElad SchecterHebrewMahol Akhshav-Dance Today3518-19
Conversation Between Choreographer Inbal Pinto and Curator Nirit NelsonNirit NelsonHebrewMahol Akhshav-Dance Today358-11
Hebrew secularism and kibbutz holidaysMuki TzurHebrewMahol Akhshav-Dance Today3413-15
Dance-Audience-Community: Annual dance conference of the Israeli Association for Dance ResearchStav Bar-Nahum FrankHebrewMahol Akhshav-Dance Today343-4
מחול- קהל- קהילה – כנס המחול השנתי של האגודה הישראלית למחקר המחולסתיו בר-נחום פרנקHebrew3-4
24th International Exposure Festival of Israeli Dance at the Suzanne Dellal Centre for Dance, December 5-9 2018Judith Brin IngberEnglishMahol Akhshav-Dance Today3564-67
In English Celebrating a Legacy: “Jews and Jewishness in the Dance World”- An International Conference at Arizona State University, October 2018/Alexandra ZaslavEnglishMahol Akhshav-Dance Today3561-63
Dance-Audience-Community: Annual dance conference of the Israeli Association for Dance ResearchStav Bar-Nahum FrankHebrew3-4
Hebrew secularism and kibbutz holidaysMuki TsurHebrew13-15
Dance-Audience-Community: Annual dance conference of the Israeli Association for Dance ResearchStav Bar-Nahum FrankHebrew3-4
Somatic Times: Reflections on the Diver Festival, 2018Ruthie AbeliovichHebrewMahol Akhshav-Dance Today3548-50
Expanded Choreography: From Conceptual Decisions to Physical Manifestation – Impressions after viewing three Works at the 2018 Diver FestivalRan BrownHebrewMahol Akhshav-Dance Today3541-47
The body The Use of Mental Imagery as a Tool to improve Performance and prevent Injuries in DanceAmit AbrahamHebrewMahol Akhshav-Dance Today3531-33
Hillel’s Adventures in ToulouseHillel KoganHebrewMahol Akhshav-Dance Today3534-35
Tributes to my Teachers Gertrud Kraus, Rena Gluck and Anna SokolowZe’eva CohenHebrewMahol Akhshav-Dance Today3528-30
A-ne-no-me: The Creative ProcessSally Anne-FriedlandHebrewMahol Akhshav-Dance Today3525-27
Cocoons: Homage to Louise BourgeoisGalia FredkinHebrewMahol Akhshav-Dance Today3522-24
Direction: Dimona – Choreographic Action with Members of the Hebrew CommunityRonit ZivHebrewMahol Akhshav-Dance Today3520-21
Three Pulstations with Niv Sheinfeld and Oren Laor on “The Third Dance” – based on the original dance of Liat Dror and Nir Ben-GalAnat ZechariaHebrewMahol Akhshav-Dance Today3512-17
A Fugue with no PauseNoa ShilohHebrewMahol Akhshav-Dance Today355-7
A dream comes true: Yair Vardi and architect Elisha Rubin on the addition to and renovation of the Suzanne Dellal Center for Dance and Theater, Neve Tzedek, Tel AvivYair Vardi, Elisha RubinHebrewMahol Akhshav-Dance Today353-4
Mahol Akhshav- Dance Today 35
Festival Montpellier 2018Ruth EshelHebrewMahol Akhshav-Dance Today3468-71
Excellence in Dance Education – Selected eventsHila CovrigaroHebrewMahol Akhshav-Dance Today3468-69
Ruth Eshel’s dance reviews: Fugue by Inbal Pinto, Asylum by Rami Be’er, Nova Carmen by Sharon Eyal & Gai BeharRuth EshelHebrewMahol Akhshav-Dance Today3466-67
An Israeli choreographer shatters the Berlin Wall – Talia Perlstein and Tamar Bar-Shalom interview Tamar Ben-AmiTalia Perlstein, Tamar Bar-ShalomHebrewMahol Akhshav-Dance Today3463-65
Roy Bedarshi interviews Gadi Biton – about the present situation of Israeli folk danceRoy BedarshiHebrewMahol Akhshav-Dance Today3459-62
African Ballet in West AfricaRachel BangouraHebrewMahol Akhshav-Dance Today3455-58
Memories from Africa: Dance-Audience-CommunityEsther DaganHebrewMahol Akhshav-Dance Today3449-54
Manish Chuhan from Mumbai to Ga’atonChen MesilHebrewMahol Akhshav-Dance Today3445-48
Joined – when East and West meet in on a creative process – Jew and Palestinian dancers share the same dance in JerusalemTammy IzhakiHebrewMahol Akhshav-Dance Today3441-44
Peace in MotionAlexandra ZaslavHebrewMahol Akhshav-Dance Today3439-40
Vertigo Dance Company – The power of balance – dance with handicappedUriah KadariHebrewMahol Akhshav-Dance Today3437-38
A short introduction to the phenomenology of tremorGuy HuglerHebrewMahol Akhshav-Dance Today3434-36
A community in movement – Thoughts following three years of contemporary dance activity for people living with Parkinson’s disease in the Yasmin Godder studioSigal Bergman, Shiri Sabach TeicherHebrewMahol Akhshav-Dance Today3432-33
Smadar Weiss talks with Dalia Chaimsky on “Ma’ase Gil” – third age dance project Ma’ase GilSmadar WeisHebrewMahol Akhshav-Dance Today3430-31
Conferences and dance meetings among children in elementary school as a connection to the community and societyMichal Hershkovitz Michaeli & Einat DuakHebrewMahol Akhshav-Dance Today3432-33
Dancer in the Community – Dance makes changeIlanit TadmorHebrewMahol Akhshav-Dance Today3422-26
Peepdance – The body as the last refuge for freedom – Dance performances inside peep cells in the public spaceTalia FreedHebrewMahol Akhshav-Dance Today3416-21
Dance in the Kibbutz Movement: A social, educational and artistic expressionNaomi BahatHebrewMahol Akhshav-Dance Today3410-12
Dancing Body – Society Dances Its Culture: Sociology and Anthropology of the BodyYehonatan HershbergHebrewMahol Akhshav-Dance Today345-6
Mahol Akhshav-Dance Today 34
Community dance practice: An academic program for dance studentsNaama SpitzerHebrewMahol Akhshav-Dance Today347-9
Community dance practice: An academic program for dance studentsNaama SpitzerHebrew7-9
חלום של שנים הולך ומתממש: יאיר ורדי והאדריכל אלישע רובין על התוספת והשיפוץ במרכז סוזן דלל למחול ולתיאטרון, נווה צדק, תל אביביאיר ורדי ואלישע רוביןHebrew80
24th International Exposure Festival of Israeli Dance at the Suzanne Dellal Center for Dance, December 5-9, 2018Judith Brin IngberEnglish64-67
Message from the EditorRuth EshelHebrewMahol Akhshav-Dance Today331
The “Maslool” – Professional Dance Program in CONTEXT2017, RussiaRoy BedarshiHebrewMahol Akhshav-Dance Today3354-55
The Screaming Hole- Voice, Performance, ScoreJulia WirshingHebrewMahol Akhshav-Dance Today3340-41
Combat Dance: Attacks on the Institution of Spectatorship – Impressions from the Diver FestivalOmer KriegerHebrewMahol Akhshav-Dance Today3350-53
Diver Festival 2017: Diving into “Diver” – Body, Material and RealityKeren GoldbergHebrewMahol Akhshav-Dance Today3347-49
Mahol Shalem- International Dance Week, Jerusalem, 2017Sharon TourelHebrewMahol Akhshav-Dance Today3345-46
Curtain Up (Haramat Masach) in International Exposure 2017Gaby AldorHebrewMahol Akhshav-Dance Today3342-44
My Voice was Always There but I Just HummedAdina Bar-OnHebrewMahol Akhshav-Dance Today3331-31
Somatic Approach to SingingIris GorenHebrewMahol Akhshav-Dance Today3326-29
A Conversation with Ruth Eshel Following her Return to the Stage at the age of 75, Reconstructing her Solo “Clock of Stones” (1980) for Between Heaven and Earth FestivalNeta PulvermacherHebrewMahol Akhshav-Dance Today3322-25
Ga’aton Dance CompanyYonat RothmanHebrewMahol Akhshav-Dance Today3312-15
Eviatar/Said: A Foretold ChronicleShira EviatarHebrewMahol Akhshav-Dance Today333-6
About “Chair Project” and “Legend” Exhibition at the Artists House, Tel Aviv, September 2017Raphael LomasHebrewMahol Akhshav-Dance Today3356-57
About Voice and ActionAnat PickHebrewMahol Akhshav-Dance Today3332-33
Ella Rothschild on her creatiion – 12 Postdated ChecksElla RothschildHebrewMahol Akhshav-Dance Today337-11
Sapir method – Improving learning abilities through movement and Eshkol-Wachman Movement NotationTirza Sapir & Lilach ShalitEnglishMahol Akhshav-Dance Today3358-63
Six Israelis in New York – An Evening with the Second Graham GenerationMartic KaceHebrewIsrael Dance Annual1976106-107
Mahol Akhshav – Dance Today 33
Premieres 1976HebrewIsrael Dance Annual1977116-118
NewsHebrewMahol Akhshav-Dance Today562-66
It’s All a Question of IdentityJoan CassHebrewIsrael Dance Annual1981121-122
Bibliographic Sources in Research of Dance Among the JewsZvi FriedhaberEnglishIsrael Dance Annual1986144-146
Anna Sokolow and the Lyric TheaterNatan MishoriEnglishIsrael Dance Annual1980142-138
Alternative Reality, Exotic Reality and Divided Reality – “Gnawa” by Nacho Duato: AnalysisZohar BurshteinHebrewMahol Akhshav-Dance Today326-7
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Sergei Diagilev and the Avant-Garde ArtRuth MarcusHebrewMahol Akhshav-Dance Today2528-32
The Rite of Spring” 1913 -1993: Performance History”Amira MerozHebrewMahol Akhshav-Dance Today2524-27
פולחן האביב 1913-1993 – היסטוריה בימתית
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Egyptian DanceSharon TourelHebrewMahol Akhshav-Dance Today2513-17
The Walking Enigma: The Action of Walking in DanceRonit ZivHebrewMahol Akhshav-Dance Today257-12
Dance Writing – The Long and the Short of itLyn Matluck BrooksHebrewMahol Akhshav-Dance Today253-6
Representation, Abstraction and Creativity in Egyptian DanceSharon TourelEnglishMahol Akhshav-Dance Today2475-83
Tamar Alyagor is 90 Years OldYossi ZeiderHebrewMahol Akhshav-Dance Today2440 -42
The Israeli Flamenco Compass Dance Company: New Approaches to Flamenco Dance MovementIdit SuslikHebrewMahol Akhshav-Dance Today2436-39
The Unique Teaching Method of Silvia DuranOrnilli AzulayHebrewMahol Akhshav-Dance Today2432-35
Ohad Naharin’s “The Hole” – Thoughts about the AbsenceGaby AldorHebrewMahol Akhshav-Dance Today2431
Duck” – The Creative Pocess”Yoni SoutchyHebrewMahol Akhshav-Dance Today2428 -30
Failure in “Cafe Muller”: Choreography Through the Term GestureRonit ZivHebrewMahol Akhshav-Dance Today2424-27
Premieres: January – June 2013אדוה קידרHebrewMahol Akhshav-Dance Today2445-46
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The Monte Carlo Ballet: An interview with Jean Christophe Maillot focusing on his creative processOra BafmanHebrewMahol Akhshav-Dance Today2443-45
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הרמת מסך 2018/ ביקורת מחול של רות אשל
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Two Rooms Apartment” – The Creative Process”Niv Sheinfeld & Oren LaorHebrewMahol Akhshav-Dance Today2412-13
Re-engagement in the Arts of Dance: A “Two-Room Apartment” by Niv Sheinfeld and Oren LaorHenia RottenbergHebrewMahol Akhshav-Dance Today249-11
Zira Festival – Ring FestivalRuth Eshel, Sahar Azimi, Shlomi Bitton, Michal Herman, Uri Shafir, Lillach LivneHebrewMahol Akhshav-Dance Today243-8
תיאטרון-תנועה בישראל
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Interview with Nadya TimofeyevaSharon TourelHebrewMahol Akhshav-Dance Today1917-19
Interview with Valery PanovMichal RosenzweigHebrewMahol Akhshav-Dance Today1920-22
Interview with Alexander AlexandrovSharon TourelHebrewMahol Akhshav-Dance Today1923-24
A 90 degree rotation in the hip joint, is that so? Qualitative frequent directions for movement as against options of kinesiology and bio-mechanisms of the bodyHila Covrigaro PinhasiHebrewMahol Akhshav-Dance Today1925-26
What does the body know? About the body’s intelligence and the unity between the body and the spirit in the Buddhist theoryEinav RosenblitHebrewMahol Akhshav-Dance Today1927-29
Let There be Light – Reflection on a Turning Point in the Work of CreationRonit ZivHebrewMahol Akhshav-Dance Today1930-31
What’s between contemporary dance and humanistic educationRan BrownHebrewMahol Akhshav-Dance Today1939-43
Movement Literacy and Eshkol-Wachman NotationShlomit OferHebrewMahol Akhshav-Dance Today1944-48
Premiers: July – December 2011HebrewMahol Akhshav-Dance Today1949-53
לרקוד בקצב אחר (הודו)Ortal CohenHebrew54-56
Dance Biennale, Lyon 2010Ora BrafmanHebrewMahol Akhshav-Dance Today1960
London – Talks about ballet – Fall, 2010Liora Bing-HeideckerHebrewMahol Akhshav-Dance Today1957-59
A gesture, a word, dance: the word-dance relationship in the works of Trisha Braun and Bill.T.JonesAlice Dor CohenHebrewMahol Akhshav-Dance Today1932-38
I think before I am Physical: Feminism, the Grotesque, or how Abstract Subjectivity Turned into FleshSara Cohen ShabotHebrewMahol Akhshav-Dance Today203-5
Monuments” – Creative Process”Rotem TashachHebrewMahol Akhshav-Dance Today206-8
A notion journal on the creation process of “Frenzy” – A Poetry Reading Performance on the Border of Movement and the Spoken Word following a Conversation with Tיree participantsDana LubinskyHebrewMahol Akhshav-Dance Today209-13
Sara Levi-Tanai talks about her work – Introduction by Henia RottenbergSara Levi TanaiHebrewMahol Akhshav-Dance Today2014-15
Far and Near: Ze’eva Cohen – A Tribute Night & Two InterviewsIris LanaHebrewMahol Akhshav-Dance Today2016-20
What do the Dancers SayRuth Eshel & Ronit ZivHebrewMahol Akhshav-Dance Today2021-24
Ilan Lev’s Method with Injured DancersEldad MannheimHebrewMahol Akhshav-Dance Today2025-26
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Looking Through the Glasses of Space and Time: A Phenomenological Approach to the Work of CuninghamRonit LandHebrewMahol Akhshav-Dance Today2038-39
Merce Cunningham Dances Him-Self: Individuality in the Discourse and Work of Merce CunninghamYael (Yali) NativHebrewMahol Akhshav-Dance Today2043-45
Wake Up! – The Choreorapher, the Audience and RelationshipRonit ZivHebrewMahol Akhshav-Dance Today2048-50
Where is the dancerEster NadlerHebrew51
Post-modern dance according to Sally BanesYael OrniHebrewMahol Akhshav-Dance Today2053-54
The book “Move to learn” by Rachel Segev-Tal and Rinat GaliliSmadar WeissHebrewMahol Akhshav-Dance Today2055
Worshop with Costanza MacersYonat RotmanHebrewMahol Akhshav-Dance Today2056
Dance fesitval in IndiaRachel Bilski CohenHebrewMahol Akhshav-Dance Today2057
Premieres: January – June 2011Adva KeidarHebrewMahol Akhshav-Dance Today2058
Eshkol, Kleist, CunninghamJohn HarriesEnglishMahol Akhshav-Dance Today2061-63
You dance, I photograph: Aspects of similarities between dance and cinema, as reflected in Chantal Akerman’s movie “Un Jour Pina M’a Demande” (1983) and cinemaRina BadashHebrewMahol Akhshav-Dance Today223-5
Dramaturgy in Contemprorary Dance in IsraelNoa Mak OferHebrewMahol Akhshav-Dance Today226-9
Revisiting a Dance History: Traces on the 1960s in Current Contemporary DanceYael FlexerHebrewMahol Akhshav-Dance Today2210-15
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“Dance as a Proverb: Reflections on Walking and Process following the Film “FlutchkessLiora Bing-HeideckerHebrewMahol Akhshav-Dance Today2219-21
Body or Machine: Body Representations in the “Hamlet Machine” by Heiner MullerRonit ZivHebrewMahol Akhshav-Dance Today2222-25
Bombyx Mori: To Paint with a Thread of Reality – Inbal Pinto and Avshalom PollakEinav RosenblitHebrewMahol Akhshav-Dance Today2226-29
Impressions from the Work Process on “Bombyx Mori” by Inbal Pinto and Avshalom PollakZvi FishzonHebrewMahol Akhshav-Dance Today2230-31
Tamir Ginz’s “Status” – The Creative ProcessTamir GinzHebrewMahol Akhshav-Dance Today2232-35
Breaking the Tradition and Reconstructing it from the Wreck: Contemporary Flamenco between Tradition and InnovationIdit SuslikHebrewMahol Akhshav-Dance Today2236-42
Apropos BalletMatte MorayHebrewMahol Akhshav-Dance Today2243-44
An Interview with Itzik GaliliRuth EshelHebrewMahol Akhshav-Dance Today2245-46
Reflections on Training a Classical Dancer Following Work with the Jerusalem BalletYoram KarmiHebrewMahol Akhshav-Dance Today2247-48
Desire to Combine Tradition and Innovation in BalletNadia TimofeyevaHebrewMahol Akhshav-Dance Today2249
Theater and Dance in the Teaching Methods of the Dance Theater Pioneer in Israel – Danya LevinYonat RothmanHebrewMahol Akhshav-Dance Today2250-54
The Moment all the Particles Become a Work of Art – Designing for Martha GrahamDani KaravanEnglishMahol Akhshav-Dance Today2271-75
Founder’s Syndrome in Dance Companies – The Case of Bat-Dor and Inbal Dance TheatreZohar BurshteinHebrewMahol Akhshav-Dance Today2258-61
Women in PerformanceEfrat MazorHebrewMahol Akhshav-Dance Today2262-65
SEEING ISRAELI AND JEWISH DANCE by Judith Brin-IngberDan RonenHebrewMahol Akhshav-Dance Today2266
And How does a Camel Dance?” Gaby Aldor”Gaby LevinHebrewMahol Akhshav-Dance Today2267
Premiers: January – June 2012Adva KorenHebrewMahol Akhshav-Dance Today2268
To Make a Change: 20th Anniversary of Vertigo Dance CompanyAdi ShaalHebrewMahol Akhshav-Dance Today233-8
Curtain Up 2012 – Haramat MasachGaby AldorHebrewMahol Akhshav-Dance Today2312-13
“Motifs and Symbols in Ancient takes as Inspiration for the Ballet “Swan LakeHilit WasserbrotHebrewMahol Akhshav-Dance Today2318-22
To Dance in Haifa – Folk and Concert DanceRuth Eshel & Dan RonenHebrewMahol Akhshav-Dance Today2323-29
Fifty Jubilee of the Democratic Youth Festival in HelsinkiDafna BrilHebrewMahol Akhshav-Dance Today2330-33
Whom is the Bell ringing for? About the Royal Dance Academy (London) and its Activity in Israel, 1967-2012Ruth Eshel & Zohar BurshteinHebrewMahol Akhshav-Dance Today2335-41
Premieres: June – December 2012Edva KeidarHebrewMahol Akhshav-Dance Today2342-51
Butoh’s Semicentennial Anniversary: From a Japanese Dance to Global and Israeli ArtRotem KownerHebrewMahol Akhshav-Dance Today2354
Hijikata, Ohno and their successors: The naissance of Butoh and its evolution in historical and social contextsRotem KownerHebrewMahol Akhshav-Dance Today2355-59
The Transcultural Dimension of the ButohMichal Daliot BulHebrewMahol Akhshav-Dance Today2360-64
To think Zen, to dance ButohKinnert NoyHebrewMahol Akhshav-Dance Today2365-67
To loose oneself in dancing: Jinen Butoh and Takenouchi AtsushiShir Meller YamaguchiHebrewMahol Akhshav-Dance Today2368-71
Body-Soul thorough the Perspective of the Butoh: In Search of Unique Therapeutic CharacteristicsShira Taube DayanHebrewMahol Akhshav-Dance Today2372-75
The Butoh dance in Israel: Historical PerspectiveRuth EshelHebrewMahol Akhshav-Dance Today2382-87
Butoh thoughts and contemplationsMaya DunskyHebrewMahol Akhshav-Dance Today2388-93
The poetics of Butoh, an interview with Neta PlotzkyNataly TurjmanHebrewMahol Akhshav-Dance Today2394-96
Butoh: An Artistic Travel DiaryTamar BorerHebrewMahol Akhshav-Dance Today2397-99
From a Short Story to Choreography – In the Wake of “Three Sisters” – Connect, DisconnectRonit ZivHebrewMahol Akhshav-Dance Today307-9
Pina Bausch’s Dancing Sound – Auditory Aesthetics as a Performative Function in Dance-TheaterMiri LazarHebrewMahol Akhshav-Dance Today2939-43
Works for ChildrenNoa DarHebrewMahol Akhshav-Dance Today328-12
ספר חדש: על צמיחתה של התנועה לריקודי עם בישראליזרעאלה כהנאHebrew60
סדנאות לכוריאוגרפים צעירים של להקות ריקודי עםדן רונןHebrew29-30
One Hundred Years to Diaghilev’s Russian BalletGaby AldorHebrewMahol Akhshav-Dance Today1629-30
Words in Memory of Pearl Lang – Dancer, Choreographer, Artistic Director and Teacher 1920-2009Rena GluckHebrewMahol Akhshav-Dance Today1632
Gevanim Bemahol – Shades of Dance, 2009Henia RottenbergHebrewMahol Akhshav-Dance Today1635-37
Choreography in Iron – Andres KomninHenia RottenbergHebrewMahol Akhshav-Dance Today1638
Dance Today – Index According to Author’s NamesRuth EshelHebrewMahol Akhshav-Dance Today1644-47
Dance Today 1-15 – Index – SubjectsRuth EshelHebrew48 - 58
Folk Dance Competition in Karmiel Festival 2009Ruth EshelHebrewMahol Akhshav-Dance Today1639
Bracha Dudai, 1937 – 2009, A Web of DeedsDan RonenHebrewMahol Akhshav-Dance Today1631
Premieres: January – June 2009HebrewMahol Akhshav-Dance Today1641-43
Rina Nikova: The Israeli Charm-point at the Fringe of the New York Boiling Dance Scene, 1928-1931Sari ElronHebrewMahol Akhshav-Dance Today1612-14
Jeannette Ordman: The Woman who Realized a Dream and Broke TtSiki KolHebrewMahol Akhshav-Dance Today1438-39
(2009-1989) Twenty Years to “Curtain Up” – Haramat MasachRuth EshelHebrewMahol Akhshav-Dance Today173-8
Interview with Nily Cohen about Curtain UpRuth EshelHebrewMahol Akhshav-Dance Today179-11
Aviva Ori Interviewing Gila ToledanoAviva OriHebrewMahol Akhshav-Dance Today1762-67
The 100th Anniversary of Anna Sokolow – The Israeli ChapterHenia RottenbergHebrewMahol Akhshav-Dance Today1718-24
Mia Arbatova Ballet Competition – The Two First DecadesLiora Bing HeideckerHebrewMahol Akhshav-Dance Today1724-25
Yehuda Ma’or – Ballet MasterYonat RothmanHebrewMahol Akhshav-Dance Today1725-27
Feeling and form in the works of Anat Danieli and Noa WertheimSharon TourelHebrewMahol Akhshav-Dance Today1728-30
Ada Levit – Educator in DancingYonat RothmanHebrewMahol Akhshav-Dance Today1731-32
Interview with Rabeah Murkus – Here they Take out their PressuresMichal RosenzweigHebrewMahol Akhshav-Dance Today1733-35
Interview with the Jazz Instructor Coordinator, Dana Maller-AdlerHila Covrigaro PinhasiHebrewMahol Akhshav-Dance Today1736-39
Exposure to Classics – An Inter-disciplinary LayoutIsaac RosenblumHebrewMahol Akhshav-Dance Today1740-43
The Place of Dance in Germany’s General EducationRonit LandHebrewMahol Akhshav-Dance Today1744-45
Interview with Yair Vardi, Head of the Dance School at the Jerusalem Music and Dance AcademyEinav RosenblitHebrewMahol Akhshav-Dance Today1747-48
Local Initiative of Encouraging Instruction: School additional studies at Tivon’s School of DanceLevana KorinHebrewMahol Akhshav-Dance Today1749-50
On the Book “About the Time” in Eshkol-Wachman’s Movement Notation by John HarriesSharon Resheff-ArmoniHebrewMahol Akhshav-Dance Today1751
A Small Window to Noa EshkolNaomi PolaniHebrewMahol Akhshav-Dance Today1752
Words about a new dance book – Dance Discourse in IsraelDan RonenHebrewMahol Akhshav-Dance Today1754
Impulstanz – 26th Vienna international dance festival, 2009Rachel Bilski CohenHebrewMahol Akhshav-Dance Today1756-57
About Time and Eshkol-Wachman Movement NotationJohn HarriesHebrewMahol Akhshav-Dance Today1753
What do we Teach When we teach Dancing? and What About Contact-ImprovisationArye BurstynHebrewMahol Akhshav-Dance Today2134-37
Creativity – Thoughts about the Historical-Cultural Contexts of a Frequently Mention NotionMoshe ZuckermanHebrewMahol Akhshav-Dance Today213-6
Reflections for Training Dancers for CreativityDan RonenHebrewMahol Akhshav-Dance Today217-8
Intima Dance 2011, Tmuna Theater – Creators WriteHillel Kogan & Leo Lerus & Shir Medvetzky & Dina Ziv & Dafi Altebab & Irad MazliahHebrewMahol Akhshav-Dance Today219-17
Acceding to Ignorance: Creation Processes in Dance According to ZenEinav RosenblitHebrewMahol Akhshav-Dance Today2114-17
A Single Dance Versus the EnvironmentAnat ShamgarHebrewMahol Akhshav-Dance Today2118-22
“Thoughts and Reflections in the Creation of “GilaGalit LissHebrewMahol Akhshav-Dance Today2131-33
Thought about Guidance in Composition Class – An Interview with Yael VeneziaEfrat Mazor & Yael VeneziaHebrewMahol Akhshav-Dance Today2138-40
Every Lesson Must be an Experience, as if there isn’t going to be Another Lesson – An Interview with Ariela PeledVarda Zehavi-LamberskiHebrewMahol Akhshav-Dance Today2141-43
The Total of the Expanse Exceeds the Sum of its Parts – OnEinav KatanHebrewMahol Akhshav-Dance Today2144-47
Three Letters to Tehila RosslerYonat RothmanEnglishMahol Akhshav-Dance Today2169-71
Akim Lvovich Volinksy – About Classical Ballet’s AestheticsLiora Bing HeideckerHebrewMahol Akhshav-Dance Today2152
Portrait: Rodika Foigelman – A Dance Accompanying PianistSharon TourelHebrewMahol Akhshav-Dance Today2155
The Fact that I Dared Perform – Conversation with Rachel Milshtein, Pioneer of Belly Dance in IsraelYael MeroHebrewMahol Akhshav-Dance Today2156-59
Premiers: June- December 2011HebrewMahol Akhshav-Dance Today2161-66
Editor’s NoteRuth EshelHebrewMahol Akhshav-Dance Today211
Montpellier, that is to say MontanaryGaby AldorHebrewMahol Akhshav-Dance Today2167-70
“Art as Life” – In a Creation “With Subtitles”Ronit ZivHebrewMahol Akhshav-Dance Today2123-25
Book review: The growth of the Folkdance movement in Israel by Dan RonenYesraela KahanaHebrewMahol Akhshav-Dance Today2160
Asceticism, Hedonism and Virus: Keys to understandking Ohad Naharin’s Artistc’s WorkRuth EshelHebrewMahol Akhshav-Dance Today183-10
Tremble of light in the dark: ‘Mana” by Noa WertheimEinav RosenblitHebrewMahol Akhshav-Dance Today1811-13
Yardena Cohen Gnerates Wonders Between Past, Present and FutureYonat RothmanHebrewMahol Akhshav-Dance Today1814-18
The uniqueness of the ornamentation dance in the Bikurim Pagaents in the mirror of generationsIlil ZilbermanHebrewMahol Akhshav-Dance Today1824-28
Flamenco Dance on a Time LineShira Shemi FuxHebrewMahol Akhshav-Dance Today1831-37
Visioning the dance and dancing the visionLea Ben-ZviHebrewMahol Akhshav-Dance Today1838-39
Reflections of training students at the dance trackLea Ben-ZviHebrewMahol Akhshav-Dance Today1840-42
All my Bones Shall Say: Contemporary Jewish Dance in IsraelRonen ItzhakiHebrewMahol Akhshav-Dance Today1862-66
Model of training dance teachers for the tender age at the state-religious sector at Orot Israel collegeSari Kaz ZichroniHebrewMahol Akhshav-Dance Today1847-52
Montpellier festival 2010Rachel Bilski CohenHebrewMahol Akhshav-Dance Today1857-58
Premieres: January – June 2010אדוה קידרHebrewMahol Akhshav-Dance Today1859-60
Editors NotesRuth Eshel & Henia RottenbergHebrewMahol Akhshav-Dance Today181
Nature after all is a very great dancer – An interview with Yardena CohenRena Gluck and Iris LanaHebrewMahol Akhshav-Dance Today1819-23
Curtain Up 2010Gaby AldorHebrewMahol Akhshav-Dance Today193-5
Creation in the junction between the authentic and the renwed (Eskesta and Beta Dance Groupes): a Personal storyRuth EshelHebrewMahol Akhshav-Dance Today196-9
Contemprorary belly dancing – creation processOrly PortalHebrewMahol Akhshav-Dance Today1910-13
Ideologies, concepts and dance: Mary Wigman and Zionist DanceDana MilesHebrewMahol Akhshav-Dance Today1914-16
פרסומות (2)/Hebrew89-98
צילומים/להקת בת-שבע 1964-1984Hebrew99-122
פרסומות /בוטיק בלט,להקת כרמון,תיאטרון מחול רמלה, הספריה המרכזית למוסיקה ומחול,רינה שחם, נעמי אלסקובסקי, מירי בן ברוך, אולפן למחול חומה ומגדלHebrew93-98
פרסומות/האקדמיה המלכותית למחול – ר.א.ד,מרכז ביכורי-העיתים, המדור לריקודי-עם,בלט חיפה,תמו-נע, אולפן איזורי עמק הירדן, להקת מחול מירלה שרון, תיאטרון מחול רות אשל, אמנות המחול – שרה יוחאי, קול דוממה ועודHebrew123-148
הדור השני- שושנה ויהודית אורנשטיין, דבורה ברטונוב, ירדנה כהן, דניה לויןHebrew20-27
פליטות מאירופה – גרטרוד קראוס,רקדניות נוספותHebrew28-32
שקיעת המחול האירופיHebrew42-48
סגנון ורפרטוארHebrew69-71
מוסיקה ומחולHebrew72-74
המחול האמנותי בקיבוצים -ראשוני המחול האמנותי בקיבוציםHebrew80-86
מקורות – רשימה ביבליוגרפית, רשימת מרואייניםHebrew115-116
השפעת המחול הפוסט-מודרני האמריקני על תיאטרון-התנועה בישראל – “כותרות נזכרות” (1977) מאת רות זיו-אייל,”דיוקן של דמגוג” (1977) מאת רחל כפרי, “פחים ושיער” (1979) מאת רנה שינפלד, “גלימה לסקילה עצמית” (1980) מאת רות אשלHebrew77-137
השפעת מחול ההבעה על תיאטרון-תנועה בישראלHebrew228-244
שקיעת תיאטרון-תנועה בישראלHebrew245-250
AdvertismentsHebrewIsrael Dance Annual198081-107
AdvertismentsHebrewIsrael Dance Annual197885-105
AdvertismentsHebrewIsrael Dance Annual198332-54 & 89-98
AdvertismentsHebrewIsrael Dance Annual197749-85
PhotosHebrewIsrael Dance Annual197786-115
THE PIONNEERS- BARUCH AGADATI, MARGALIT ORNSTEIN, RINA NIKOVAHebrew11-19
הדור השלישי
Servants from all the Worlds – Barak Marshall Performs the Miracle in this New Work “MongerYonat RothmanHebrewMahol Akhshav-Dance Today1513-14
Is There Future for Ethnic Dance in IsraelAyala Goren KadmanHebrewMahol Akhshav-Dance Today1515-17
Connection and Detachment Junctions between Concert Dance and the Ethnic Dance in IsraelRuth EshelEnglishMahol Akhshav-Dance Today1562-67
Dance up to 1938, Dance up to 2000, Brurungen Festival, ViennaGaby AldorHebrewMahol Akhshav-Dance Today1558-59
To fish the Eskesta (Shoulder dancing) – creation processes for building contemporary Ethiopian-Israeli DanceRuth EshelHebrewMahol Akhshav-Dance Today1518 -24
Haramat Masach (Curtain Up) – Compressed and RapidRuth EshelHebrewMahol Akhshav-Dance Today1525-26
Curtain Up 2008: It is necesssary to return to dancing – the crissis of Curtain UpGaby AldorHebrewMahol Akhshav-Dance Today1526-27
Following “Post Martha”: Repetitive questions about the essence of dance – Meeting with Niv Sheinfeld and Oren LaorNava ZuckermanHebrewMahol Akhshav-Dance Today1527-28
Water Project – A Memorial Gesture in Honor of Orphan Children Murdered in the HolocaustHenia RottenbergHebrewMahol Akhshav-Dance Today1561-62
The dynamic body in open space – International conference at the Laban Center in LondonMilca LeonHebrewMahol Akhshav-Dance Today1557
To be within the at school: Phenomology of dance among girls at the Dance TracksYael (Yali) NativHebrewMahol Akhshav-Dance Today1536-39
Premiers: June – December 20018Michal RosenzweigHebrewMahol Akhshav-Dance Today1550-53
From a dance photographer’s view pointKfir BolotinHebrewMahol Akhshav-Dance Today1529-31
Contact Improvisation in IsraelLilach GavishHebrewMahol Akhshav-Dance Today1555-56
How and why have I become an advisor, an examiner and a chief supervisor on the subject of dance in the “Organization for International Bachelor of Art Degree” for hight school students – IBZe'eva CohenHebrewMahol Akhshav-Dance Today1532-35
Ilana Cohen Retires and Spreads her WingsHenia RottenbergHebrewMahol Akhshav-Dance Today1559
An Interview with the Artist Ruth Kaner: Theatre, Movement, Text and Relationship Between ThemYonat RothmanHebrewMahol Akhshav-Dance Today1548-49
To dance through lifeDan RonenHebrewMahol Akhshav-Dance Today1540-41
What is seen from here cannot be seen from thereRachel Bilski CohenHebrewMahol Akhshav-Dance Today1542-44
A dance stage in being built in JerusalemLilach GavishHebrewMahol Akhshav-Dance Today1554-55
In memory of Glen Tetley and Norman MorrisRena GluckHebrewMahol Akhshav-Dance Today1443-44
The Flourishing of Contemporary Dance in Israel TodayRuth EshelEnglishMahol Akhshav-Dance Today1459-63
I and the “Other”: The Perception of the “Other” and “Grouping” in Levinas and Ardent and in the Israel Dance of the 40’s and the 50’sDana MilesHebrewMahol Akhshav-Dance Today1417-19
And After….Requieme for Jeannette OrdmanRuth EshelHebrewMahol Akhshav-Dance Today1440-42
A Letter from MontpellierGaby AldorHebrewMahol Akhshav-Dance Today1454-56
Sara Levi Tanai and Rina Nikova – Diffenences in Establishing the Yemenite Inspired Hebrew DanceDina RoginskyHebrewMahol Akhshav-Dance Today1430-35
Noa Wertheim’s “White Noise” – Ecological Dance by Vertigo Dance CompanyHenia RottenbergHebrewMahol Akhshav-Dance Today148-11
Word, Movement, Word – The Place of the Word, the Place of the MovementNava ZuckermanHebrewMahol Akhshav-Dance Today1420-23
To Forget the Words – Text in the Works of Yasmeen GodderEinav RosenblitHebrewMahol Akhshav-Dance Today1412-16
Premieres: January – June 2008מיכל רוזנצוייגHebrewMahol Akhshav-Dance Today1447-49
Text- UresLiora Bing HeideckerHebrewMahol Akhshav-Dance Today1424-26
“Dance Narrative – An Analytical Approach to the Narrative of “Ballet FantastiqueAstrid BernkoptHebrewMahol Akhshav-Dance Today1427-29
Fringes at the Center – “Tetris” at the Center by Noa DarHenia RottenbergEnglishMahol Akhshav-Dance Today1655-59
Naked in their Shells – Clipa Theater for Performing ArtEinav RosenblitHebrewMahol Akhshav-Dance Today167-11
Thoughts About center and Periphery Following Heinrich von KleistLiora Bing HeideckerHebrewMahol Akhshav-Dance Today1615-17
God hates as boasting language – the Unique Role of Movement and Dancing in Tackling the Center-periphery Relationship in the Greek Polis, as Expressed in a TragedyDana MilesHebrewMahol Akhshav-Dance Today1618-20
Getting away from the city, dancing in the desert: Third phase in the project of Arab-Jewish co-existence in dancingRina BadashHebrewMahol Akhshav-Dance Today1621-24
Yair Shapira Conference – A Mirror Reflecting the Central Place of the Periphery Dancing Schools in the Field of Dance Education in the CountryYonat RothmanHebrewMahol Akhshav-Dance Today1625-27
מקראה קטנהמרי ויגמןHebrew14-15
טעמי המקרא כמרכיב בתנועהנעמי בהט-רצוןHebrew14-18
עובדות ופעילויות/ הידיעות מפוזרות – לצפייה פתח השנתון המלא (עמ’ 9 – 23)/ אולפן אזורי מנשה, הכרה אקדמית למחול, ר.א.ד, המדור לריקודי עם, ספרי מחול, מפגש סקציית המחול, מלגות, פרס יאיר שפיראHebrew23
“אדם יש לו שכל עד שהוא קם לרקוד” – סיכום ראשוני של עבודת מחקר בתחום המחול התימנישלום סטאובHebrew16-17
אדם יש לו שכל עד שהוא קם לרקודשלום טאובEnglish16-18
פרסומות/ להקת מחול הקיבוצית,ארטיס, אולפן אזורי עמק הירדן, להקת בלט פיקולו, מרכז מחול חיפה, סטודיו לבלט אינסה אלכסנדרוביץ’, דנאור, אטלס, המרכז לבלט קלאסי, אולפן אזורי למחול מנשה, סטודיו למחול נעמי אלסקובסקיHebrew43-48
פרסומות/האקדמיה המלכותית למחול,פסטיבל ישראל, המכון לאמנות המחול, האקדמיה למוסיקה בירושלים, קרן תל-אביב, יעקב לוי, סטודיו להט לג’אז, אורות במה, סטודיו הילדה קסטן, המפעל לטיפוח רקדוי עדות,זרקור, רנה שינפלד, רינה שחם,בת-שבע, קול ודממה, סילביה דוראן,ברית התנועה הקיבוצית, רוזמרין שלמה, סטודיו לבלט רחל טליתמן,דיאנה בלצ’ר, בית ספר למחול, הבוסתן, רות אשל, סטודיו קטיה מיכאלי ועודHebrew85-105
פרסומות/האקדמיה המלכותית למחול-לונדון,בוטיק בלט,קרן תל-אביב, בת-שבע,המפעל לטיפוח ריקודי עדות,סטודיו קטיה מיכאלי, בית ספר למחול עופרה בן צבי-סרוסי, סטודיו שרה יוחאי, הספריה המרכזית למוסיקה ולמחול, להקת בלט פיקולו-חיפה, מרכז המחול חיפה,סדנא קטומונית לתנועה – ירון מרגולין, סטודיו רוזמרין שלמה, ורה גולדמן,ענבל, הבלט הישראלי,קרן התרבות אמריקה-ישראל, פסטיבל ישראל,סמינר אורנים,בת-דור, קול דוממה, סילביה דוראן ועודי,Hebrew81-107
פרסומות/האקדמיה המלכותית למחול – ר.א.ד, בוטיק בלט,קרן תל-אביב, בת-שבע,המפעל לטיפוח ריקודי עדות, סטודיו קטיה מיכאלי, בית ספר עופרה בן-צבי,להקת פיקולו חיפה, מרכז המחול בחיפה,הורה, ברית התנועה הקיבוצית ועודHebrew49-80
פרסומות/הורה-אגודה עירונית למחול,סטודיו קטיה מיכאלי, סטודיו עופרה בן צבי-סרוסי,דליה לאו,חוט השני, קרן התרבות אמריקה-ישראל,סטודיו רינה שחם, סטודיו רינה שינפלד, אולפן אזורי למחול מנשה,דנאור, סילביה דוראן,המכון לאמנות המחול, ארטיס,האקדמיה המלכותית למחול – ר.א.ד , תיאטרון מחול רות אשל,האקדמיה למוסיקה בירושלים ועודHebrew70-106
Meredith Monk – The Education of a Girl-ChildRonit LandHebrewIsrael Dance Annual198316-17
Fred Berk -The Life of a Jewish DancerJudith Brin IngberEnglishIsrael Dance Annual1983108-102
Insight – A Report on a Year’s Study in the USARuth EshelHebrewIsrael Dance Annual198325
Cycle” – The Work Process of Ruth Ziv Ayal”Gaby AldorHebrewIsrael Dance Annual198326-28
Premieres in 1982EnglishIsrael Dance Annual1983101-99
What I Believe InSara Levi-TanaiHebrewIsrael Dance Annual19825-6
The Status of the Dancer in the Jewish-Yemenite TraditionNaomi Bahat RatzonHebrewIsrael Dance Annual1982109-112
Too Much a Good Thing – About Kylian and NeumeierGiora ManorHebrewIsrael Dance Annual1982108-106
Ballet and the Icarus SyndromeHezy LesklyHebrewIsrael Dance Annual198213
What is American About American Modern DanceJudith Brin IngberHebrewIsrael Dance Annual1982116-113
The Language of Dance – From Exercise to ExpressionHermona LinHebrewIsrael Dance Annual198219-20
Ruminations on Form and ContentPaul BloomHebrewIsrael Dance Annual1982115
In the Wake of John CrankoFerry KemperHebrewIsrael Dance Annual198222-23
Premieres in 1981EnglishIsrael Dance Annual1982104-102
The State of the Art of Dance in Israel – 1980Giora ManorEnglishIsrael Dance Annual19815-7 (from the left side of the magazine(
Mia Arbatova is 75Giora ManorHebrewIsrael Dance Annual19819
Gurit Kadman received Israel Prize for her Life Achivement in DanceRuth AshkenaziHebrewIsrael Dance Annual198112
Modern Dance, Ballet and Folkdance – An Interview with Jiri KylianGiora ManorHebrewIsrael Dance Annual1981120-116
A Male Dancer in IsraelRon Ben-IsraelHebrewIsrael Dance Annual198118-19
A Boy from Tel-Aviv who Wanted to DanceMicha NessHebrewIsrael Dance Annual198118-19
Is there Life Outside a Company – The Absence of Fringe in Dance in IsraelRuth EshelHebrewIsrael Dance Annual198123-24
The Proper Turn-OutAsaf Ben-Ze'evHebrewIsrael Dance Annual198125-28
Folkdance in the Education ProcessRuth AshkenaziHebrewIsrael Dance Annual198129-31
“Valery Panov’s “The IdiotNatan MishoriHebrewIsrael Dance Annual198132-33
Premieres in 1980EnglishIsrael Dance Annual1981109-107
Biblical Criteria in Modern DanceDoug Adams & Judith RockHebrewIsrael Dance Annual1980148-144
The Nuances of Eleven Dance-derived Expression in the Hebrew BibleMayer I. GruberHebrewIsrael Dance Annual1980138-132
Salome in Modern DanceRichard BizotHebrewIsrael Dance Annual1980121-117
Anna Sokolow Rehearses WingsRon Ben-IsraelHebrewIsrael Dance Annual198022-26
Do Animals DanceShlomit Bat-DoriHebrewIsrael Dance Annual198027-30
The ClassRuth EshelHebrewIsrael Dance Annual198031-32
A Little Girls Goes to the BolshoiInesa AlexandrovichHebrewIsrael Dance Annual198032-33
Premieres 1979EnglishIsrael Dance Annual1980110-108
Is There Israeli DanceJoan CassHebrewIsrael Dance Annual1978122-121
Between Choreographers and Composer – An Interview with Composer Mordehai SeterHanoch RonHebrewIsrael Dance Annual19787-9
On the Lyric Theatre – An Interview with Anna Sokolow and her Former DancersNatan MishoriHebrewIsrael Dance Annual197810-15
An Interview with Naomi AleskovskyYossi GraberHebrewIsrael Dance Annual197816-18
Dance in Israel in the 50’s and 60’s as reflected in the critical articles of Olia SilbermanGiora ManorHebrewIsrael Dance Annual197819-23
The “Debka” – A Traditional Dance of Unity and RelaxationNaomi Bahat RatzonHebrewIsrael Dance Annual1978118-113
Palestinian, Jewish, Israeli Dance in AmericaFred BerkHebrewIsrael Dance Annual1978120-113
Ethnic Dance in Israel TodayRuth AshkenazyHebrewIsrael Dance Annual1978112-109
New Dance in the West CoastRonit LandHebrewIsrael Dance Annual197836
Israel Dance – Youth SectionPazitHebrewIsrael Dance Annual197737-39
Premieres 1978EnglishIsrael Dance Annual1978108-106
The Confusing Avant-Garde – About American DanceJoan CassHebrewIsrael Dance Annual1976108-109
Dancing Against Music – The Relationship between Modern Dance and MusicHanoch RonHebrewIsrael Dance Annual19765-7
Until that I Rose” – Elements of Mourning and Lament”Ronit LandHebrewIsrael Dance Annual197610-11
The Legendary AgadatiGiora ManorHebrewIsrael Dance Annual1976103-105
G.K – Two Chapters from a Book about Gertrud KrausGiora ManorHebrewIsrael Dance Annual1976118-122
The Story of Israeli Folk Dance In Israel and AmericaFred BerkEnglishIsrael Dance Annual197699-102
Just an Eco – The Dance of Yemenite WomenShalom StaubHebrewIsrael Dance Annual197691-95
Origins of Dance – Elements in Israel Folk Dance and African CultureEster AmradHebrewIsrael Dance Annual197624-25
The Diwan: Poetry-Song-Dance Cycles in Jewish Yemenite CultureNaomi Bahat RatzonHebrewIsrael Dance Annual197626-27
Premieres in 1976EnglishIsrael Dance Annual197686-88
Sitting out Front – Who is the Israeli AudienceJoan CassEnglishIsrael Dance Annual197589-92
Facing Backwards – Clinical Report about the Patient – Israel DanceGiora ManorHebrewIsrael Dance Annual197586-88
Costumes for Dance – A Designer’s View about his ArtMoshe Ben ShaulHebrewIsrael Dance Annual19758-9
The Americans are Coming – The Growing American Influence on European Ballet and Modern Dance Since World War 2Horst KoeglerHebrewIsrael Dance Annual197512-13
The War is Over Between Ballet and Modern DanceGiora ManorHebrewIsrael Dance Annual197514-15
The Russian Ballerina and the YemeniteJudith Brin IngberHebrewIsrael Dance Annual197577
Research and Dance EducationEnglishIsrael Dance Annual197572-76
Premieres in 1974EnglishIsrael Dance Annual197568-71
Ballet Finally Moves FrontJudith Brin IngberEnglishIsrael Dance Annual197579-85
An Evening with the Second Graham Generation – Six Israelis in New YorkMartin KaceEnglish106-107
AdvertismentsHebrewIsrael Dance Annual197550-67
PhotosEnglishIsrael Dance Annual197657-84
PhotosEnglishIsrael Dance Annual197526-49
AdvertismentsHebrewIsrael Dance Annual197650-67
AdvertismentsHebrew50-85
PHOTOSHebrew86-115
Photos 1977HebrewIsrael Dance Annual197843-84
AdvertismentsHebrewIsrael Dance Annual198227-60
Photos 1979HebrewIsrael Dance Annual198049-80
PhotosHebrewIsrael Dance Annual198138-69
PhotosEnglishIsrael Dance Annual198261-96
חדשותגיורא מנורHebrew30-41
להקות ובכורותגיורא מנורHebrew33-36
פרסומות/ גוונים במחול, מרכז סוזן דלל, רות אשל, תמר ירושלים, סמינר הקיבוצים, להקת בת-דורHebrew55-60
המחול היהודי של ברוך אגדתייעקב קופלביץHebrew9-19
להקות ובכורות/ הבלט הישראלי, להקת בת-דור, להקת בת-שבע, בת -שבע 2, להקת דממה, להקת המחול הקיבוצית, בלט פיקולו, להקת מחול ירושלים, רינה שחם, רות אשל, רחל כפרי, דיאנה בלצ’ר, סילביה דוראן, דליה לאו, רן שנערפזיתHebrew45-47
Israeli Folk Dance and its KleismerimZvi FriedhaberHebrewIsrael Dance Annual19895-8
Dances from the Olympus: The “Landscape Dances” of Sara Levi-TanaiYaron MargolinHebrewIsrael Dance Annual1989170-163
Emil Jacques Dalcroze – The Body as a Bridge Between Music and MovementOra GoraliHebrewIsrael Dance Annual198922-25
Brecht, Montage and Dance TheatreElyakim YaronHebrewIsrael Dance Annual198926-27
Kaj Lotman (Selling) – The Past is a Far PlaceRuth EshelHebrewIsrael Dance Annual198930-33
Music and Choreography in Classical Ballet – Yossi Tavor Interviews Yuri PepkoYossi TavorHebrewIsrael Dance Annual198942-44
Two Balli: Jewel-Like Dance and Music in Mid-Fifteenth Century in ItalyWilliam SmithHebrewIsrael Dance Annual1989162-155
The Art of Dance Biography WritingGiora ManorHebrewIsrael Dance Annual1989154-153
Premieres in 1988/9Giora ManorEnglishIsrael Dance Annual1989148-145
NewsIsrael Dance Quarterly9
NewsGiora ManorHebrewIsrael Dance Quarterly1042
NewsHebrewIsrael Dance Quarterly1322-25
The Batsheva Dance Company – The Graham DecadeRuth EshelHebrewMahol Akhshav-Dance Today117-23
An Early Experiment in Dance Theater in IsraelNava ShanHebrewIsrael Dance Annual1989152-150
Strangers in the Land of Sound – About the Phenomenon of Deaf and Hard of Hearing DancersOfer RomHebrewIsrael Dance Annual198938-41
The Problems of the Beginning in Dance CompositionYaron MargolinHebrewIsrael Dance Annual19875-9
The Crisis of Modern Dance in Israel in the Fifties – From a Personal Viewpoint of a DancerRuth EshelEnglishIsrael Dance Annual1987226-221
Dance Composition: The Problems of the BeginningYaron MargolinHebrewFolk Dance Supplement210-13
Hassidic Dance at the Rabbi Shim’om Bar-Yohai Festivities at MeironZvi FriedhaberEnglishIsrael Dance Annual1986158-156
Problems of the CodaYaron MargolinHebrewIsrael Dance Annual19868-12
Benjamin Zemach – From Darkness to LightNaima PrevotsHebrewIsrael Dance Annual1986155-146
Encounter with Butoh Dancers in JapanRachel Bilski CohenHebrewIsrael Dance Annual198619-21
Fokine’s Jewish Ballet MothersAnn Wilson WanghHebrewIsrael Dance Annual1986142-138
From Michaelangelo to Martha GrahamGiora ManorHebrewIsrael Dance Annual1986137-135
Moments on the StageMicha NessHebrewIsrael Dance Annual198630
The Difference Between Performing Dance on Stage and It’s TV RepresentationZiona PeledHebrewIsrael Dance Annual198631-32
AdvertismentsHebrewIsrael Dance Annual198639-78
PhotosHebrewIsrael Dance Annual198679-128
AdvertismentsHebrewIsrael Dance Annual1989120-143
PhotosHebrewIsrael Dance Annual198961-119
Jewish Dancing in Wedding Pageantry at Pesaro, Italy in 1475William SmithHebrewIsrael Dance Annual1987220-207
Tradition and Change in Yemenite Dance in IsraelNaomi Bahat RatzonEnglishIsrael Dance Annual1987206-199
The Development of Folk Dance in IsraelZvi FriedhaberEnglishIsrael Dance Annual1987198-192
The Seed and the Husk – The Kibbutz Dance CompanyGiora ManorEnglishIsrael Dance Annual1987185-182
From Being Cinderella to “Cinderella” – 20 Year of Classical Ballet in IsraelYossi TavorEnglishIsrael Dance Annual1987178-175
Fringe Dance in Israel in the Last Ten Years 1977-1987Ronit LandHebrewIsrael Dance Annual198746-47
Eshkol-Wachman Movement NotationAmos HetzHebrewIsrael Dance Annual198748-51
Jerusalem’s Dance CompaniesPamela KidronHebrewIsrael Dance Annual1987174-169
One has to have Stimulation – Moshe Efrati’s KolDemama Dance CompanyArie YassHebrewIsrael Dance Annual1987181-179
Inbal Dance Theatre – Originality and Ongoing CrisesGiora ManorHebrewIsrael Dance Annual198762-63
Movement Theatre in IsraelElyakim YaronHebrewIsrael Dance Annual198764-65
New Directions for the Dance Library of IsraelPamela KidronHebrewIsrael Dance Annual1987168-166
Much More than a Cobbler – In Memoriam of Ben SommersGiora ManorHebrewIsrael Dance Annual1985182
Ten Years Later: Dance In Israel 1975-1985Giora ManorHebrewIsrael Dance Annual1985181-179
The International Congress on Movement NotationDawn Lille HorwitzHebrewIsrael Dance Annual1985178-177
Liturgical Order and Dance NotationMarcel DuboisHebrewIsrael Dance Annual1985176-172
And Sara Levi-Tanai Created the Multimedia – 35 Years of Inbal Dance TheatreGiora ManorHebrewIsrael Dance Annual198526-28
Creative Dance Education in Movement TherapyAda Levit & Nira Ne'emanHebrewIsrael Dance Annual1985168-163
Visual ThinkingRuth EshelHebrewIsrael Dance Annual198533-34
The Phenomen of Break DanceJoice MolovHebrewIsrael Dance Annual198535-36
The Wheel of LightsGiora Manor & Benzion MunitzHebrewIsrael Dance Annual1985171-169
Reconstructing Oscar Schlemmer’s Bauhaus DancesRonit LandHebrewIsrael Dance Annual198540-41
The First Folk Dance Festival in Dalia in 1944Zvi FriedhaberEnglishIsrael Dance Annual1985158-154
Celebrating in the Valley and on the Hilltops – Yardena Cohen and Creation of Cultural Patterns in Nature-Connected Festivites in Kibbutzim in the 40’sRuth AshkenazyHebrewIsrael Dance Annual1985162-159
Premieres in 1985EnglishIsrael Dance Annual1986134-131
Meeting Lindsay KempEli Dor CohenHebrewIsrael Dance Annual198554-56
Photos 1986HebrewIsrael Dance Annual198773-126
Advertisments 1986HebrewIsrael Dance Annual1987160-127
PhotosHebrewIsrael Dance Annual198451-92
AdvertismentsHebrewIsrael Dance Annual1985121-149
In Memoriam – Gertrud Kraus and Ehud Ben DavidGiora ManorHebrewIsrael Dance Annual1977140
What in the Name of Dance are you CountingJoan CassHebrewIsrael Dance Annual1977136-139
A dance company is just an idea in someone’s headGiora ManorHebrew10-12
Batsheva 2 as an Experimental GroupRonit LandHebrewIsrael Dance Annual197713-14
Pina Bausch and her Dance-TheaterHorst KoeglerHebrewIsrael Dance Annual197715-16
The Famous and the BeautifulJudith Brin IngberHebrewIsrael Dance Annual197717-19
Lioness in the Orchestra Pit – Pianist Rachel Pitman and the Ballet Russe de Monte CarloGiora ManorHebrewIsrael Dance Annual1977125-128
Is the Hora an Israeli DanceNaomi BahatEnglishIsrael Dance Annual1977129-135
The Procession as a Source of DanceEster AmradHebrewIsrael Dance Annual1977124-119
Israel Dance for YouthPazitHebrewIsrael Dance Annual197834-44
Basic Concepts of Ballet StepsHebrewIsrael Dance Annual197737-44
Dance Among the Jews in the Middle Ages and the RenaissanceZvi FriedhaberEnglishIsrael Dance Annual1984166-162
Dance and VideoRuth EshelHebrewIsrael Dance Annual198411-14
Teaching dance as movement languageHermona LinHebrewIsrael Dance Annual198415-20
Can One Teach ChoreographyYaron MargolinHebrewIsrael Dance Annual198425-27
Recent Trends in Modern Dance in GermanyRonit LandHebrewIsrael Dance Annual198428-29
Human DanceMiriam Ben BaruchHebrewIsrael Dance Annual198430-31
A Few Things a Choreographer Should not DoGiora ManorHebrewIsrael Dance Annual1984158-157
Steps, Style, Authenticity and “Kavana” in Israeli FolkdanceElliot CohenHebrewIsrael Dance Annual1984161-159
The path of the dancer’s soulGiora ManorHebrewIsrael Dance Annual198437-39
The PlieAkim VolinskyHebrewIsrael Dance Annual198440-41
Music Minimalism Invades DanceHanoch RonHebrewIsrael Dance Annual198442-45
Premieres in 1984EnglishIsrael Dance Annual1985153-151
Educating Movement and Dance TeachersNaomi Bahat RatzonEnglishIsrael Dance Annual1984156-153
Timna Yeriel – In MemoriamGiora ManorHebrewIsrael Dance Annual19835
Dramatization in Hassidic DancesZvi FriedhaberEnglishIsrael Dance Annual1983120-117
The Dybbuk DancesGiora ManorHebrewIsrael Dance Annual1983116-109
חדשות/ סטפס, צילום, מחול ערבי, אנה סוקולוב, וידיאו ועוד……Hebrew62-67
לוח מופעים של להקות בארץ וכן לוח סיורים של להקות ישראליות בחו”לרות אשלHebrew72-73
גרטרוד קראוס הוינאית- בחיפוש אחר עקבותIsrael Dance Quarterly12
Why National Ballet – About Rina Nikova’s Biblical Ballet and Gertrud KrausZe'ev HavazeletHebrewIsrael Dance Quarterly1278
Frug street 24, Tel-Aviv: Gertrud Kraus StudioNoa ShapiraHebrewIsrael Dance Quarterly1279-81
The pounds and pences of Gertrud KrausGiora ManorHebrewIsrael Dance Quarterly1282-83
HIilda Kesten talks about Gertrud KrausGiora ManorHebrewIsrael Dance Quarterly1284-87
The Body Remembers – The Batsheva Scandal in JerusalemGaby AldorHebrewIsrael Dance Quarterly136-7
In Praise of Props – The Use of Props in Israeli DanceRuth EshelHebrewIsrael Dance Quarterly138-15
Rami Be’er Dance PropsHenia RottenbergHebrewIsrael Dance Quarterly1316-21
Israelis Dancing in London – About Yasmin VardimonHenia RottenbergHebrewIsrael Dance Quarterly1326-27
Grandma Always DancedGiora ManorHebrewIsrael Dance Quarterly1328-29
Haifa Ballet: Adam Pasternak passed awayRuth EshelHebrewIsrael Dance Quarterly1330-33
The Israel Prize in Dance – Hasia Levi-AgronRuth EshelHebrewIsrael Dance Quarterly1334-36
The Israel Prize in Dance -Yehudit ArnonGiora ManorHebrewIsrael Dance Quarterly1337-39
Flourishing Talent Portrait – About Orna Kugel, the Ballerina of the Israeli BalletYaron MargolinHebrewIsrael Dance Quarterly1340-43
Meryl Tankard – The Bausch’s Ambassador in AustraliaOra BrafmanHebrewIsrael Dance Quarterly1344-47
London Under the Dance UmberellaHenia RottenbergHebrewIsrael Dance Quarterly1348-49
New Works by William ForsytheHelmut ScheirHebrewIsrael Dance Quarterly1350-53
The Cloud Gate Leading to Modern Dance – Lyn Hway-Min’s Company in TaiwanGiora ManorHebrewIsrael Dance Quarterly1360-63
From the critic’s desk: Giora ManorGiora ManorEnglishIsrael Dance Quarterly9137-141
Curtain Up (Haramat Masach) and International Exposure at Suzanne Dellal, November 1997Giora ManorEnglishIsrael Dance Quarterly1373-74
In Memory of Batsheva de RothschildGiora ManorEnglishMahol Akhshav-Dance Today178
Premieres: July- September 2000HebrewMahol Akhshav-Dance Today382-83
In the footesteps of the Athenian tradition: Education for all – educational perception of dance and their reflections on the dancing school at Ga’atonIlana LabanHebrewMahol Akhshav-Dance Today542-43
Premieres: April – June 2001ליאורה עמיתHebrewMahol Akhshav-Dance Today668-71
Premieres: July – October 2001Liora AmitHebrewMahol Akhshav-Dance Today760-61
New Book: People Dancing: Dance, Society and Culture in Israel and the WorldRuth EshelHebrewMahol Akhshav-Dance Today1186
I would like to speak about choreographic creationMirali SharonHebrewMahol Akhshav-Dance Today1227-29
A cut diamond that has not lost its vitality – Interview with Talia PazGaby AldorHebrewMahol Akhshav-Dance Today1230-34
Song of My People – From Annihilation to Resurgence – About John Cranko’s Work for the Batsheva Dance CompanyRuth EshelHebrewMahol Akhshav-Dance Today818-19
Premieres: November 2001- March 2002HebrewMahol Akhshav-Dance Today828-29
From the candle to the moving light – the development of stage lighting from the 16th to the 20th centuryDan RandlerHebrewMahol Akhshav-Dance Today911-17
International choreographic encounters in Saint DenisRachel Bilski CohenHebrewMahol Akhshav-Dance Today944-48
NewsHebrewIsrael Dance Quarterly113-18
New-York, New-YorkMeira Eliash-ChainHebrewIsrael Dance Quarterly133-37
Movement in real time – a photo exhibition by Eldad Baron of Yaron Margolin’s dance companyNaftlai IroniHebrewIsrael Dance Quarterly237-40
T.V DanceJean Lous BatistHebrewIsrael Dance Quarterly246
Classical ballet is alive and kicking, but much changedGermain PrudhomeauHebrewIsrael Dance Quarterly318-19
What is all this jazz aboutJean SabbatiniHebrewIsrael Dance Quarterly415-17
Fifty years to the first Dalia Dance FestivalLea GoldbergHebrewIsrael Dance Quarterly454-55
Curtain Up – The Harmat Masach 1994 ShowcaseGiora ManorHebrewIsrael Dance Quarterly514-17
Voguing – Dance as means of expressing communal identityGalit Ben ZionHebrewIsrael Dance Quarterly526-29
A Tribute to Moshe Sternfeld – The Late Stage DesignerGiora Manor, Oshra Elkayam, Ziona Peled, Rina YerushalmiHebrewIsrael Dance Quarterly546-47
The Virstky Dance Company – But What is FolkloreYossi TavorHebrewIsrael Dance Quarterly558-59
S’adia Gush-Esh: A Yemenite SolositZvi FriedhaberHebrewFolk Dance Supplement110-11
A New Direction at Karmiel FestivalBracha Dudai & Yesraela KahanaHebrewFolk Dance Supplement112
Daniel Larrieu – A French ChoreographerTamar ShbeckHebrewIsrael Dance Quarterly872-73
The movement language of Yemenite JewsNaomi Bahat RatzonHebrewIsrael Dance Quarterly1110-17
Amos Hetz and his Room DancesShai HarlevHebrewIsrael Dance Quarterly1356-59
Words for Sara, Giora and CajRuth EshelHebrewMahol Akhshav-Dance Today1392-94
Before the Beginning – The Prehistory of the Kibbutz Dance CompanyRuth EshelEnglishIsrael Dance Quarterly9128-135
Dance Opposite its Models – The Musical ModelNaftlai IroniHebrewIsrael Dance Annual1989176-171
מפגשי מחול בשוויץאלאן ברנרדHebrew58-59
מפנקסו של מבקרגיורא מנורHebrew60-65
ספרים מרקדים: איך לכתוב על נושאים מרתקים בצורה שאיש לא יבין; השאלה הנצחית – הרקדן הגבר; ילדיה של איזדורה דנקן; אימפרוביזציה בתנועהגיורא מנור, הניה רוטנברגHebrew62
ספרים מרקדיםגיורא מנורHebrew54-55
מפנקסו של מבקרגיורא מנורHebrew66-71
רות אשל משוחחת עם יהודית ארנוןרות אשלHebrew104-108
ספרים מרקדיםגיורא מנורHebrew50-51
מפנקסו של מבקרגיורא מנורHebrew56-62
ספרים מרקדיםגיורא מנורHebrew28-30
In Touch with the Year 2000Ruth EshelHebrewIsrael Dance Quarterly79-11
Fact and Fiction – The Israeli BalletRuth EshelEnglishIsrael Dance Quarterly767-71
Mark the Magician – An Interview with Mark MorrisJeannette RozmanHebrewIsrael Dance Quarterly720-23
Dancing BooksGiora ManorHebrewIsrael Dance Quarterly724-27
Rami Be’er for Danish BodiesAnn Flindt ChirstensenHebrewIsrael Dance Quarterly728-29
Dancing DutchGiora ManorHebrewIsrael Dance Quarterly730- 33
NewsHebrewIsrael Dance Quarterly734-44
רוקדים בברליןNorbert ServosIsrael Dance Quarterly7
From Basketball to Vienese State Ballet via Stuttgart – Robert Zanela and the Stuttgart BalletGiora ManorHebrewIsrael Dance Quarterly748-49
Herald Kreuzberg – ExhibitionGiora ManorHebrewIsrael Dance Quarterly750-51
From Reality to Myth – Shai Abadi’s Nijinsky Exhibition at the Israel Dance LibraryGiora ManorHebrewIsrael Dance Quarterly752-53
Great Mansions -Big StagesGalit Ben ZionHebrewIsrael Dance Quarterly754
Process and forecast of Israeli Folk danceDan RonenHebrewFolk Dance Supplement13-6
A Wedding as an Image of Folklore and Inspiration for StagingRina SharetHebrewFolk Dance Supplement17-8
About Gurit KadmanSara Levi-TanaiHebrewFolk Dance Supplement113-15
Memories of Gila Toledano – one of the first folk dance teachersGila ToledanoHebrewFolk Dance Supplement23
The Similar and the Difference – Folk Dance Revival in IrelandGiora ManorHebrewFolk Dance Supplement24-5
Early Holiday Dances and Public Celebration – The Forming of a TraditionZvi FriedhaberHebrewFolk Dance Supplement26-8
Duality in Israeli Folk Dance and Couple DancesYossi ZeiderHebrewFolk Dance Supplement29
Thirty Years of Hora YerushalaimBracha Dudai & Yesraela KahanaHebrewFolk Dance Supplement210-15
Meeings of the Dancing Kind – Karmiel Between Past and FutureBracha Dudai & Yesraela KahanaHebrewFolk Dance Supplement33-6
The Karmiel Festival Towards its Second DecadeYonatan KarmonHebrewFolk Dance Supplement37-8
Jochen Shmidt’s review of fetival KarmielJochen ShmidtHebrew9
Zero in ChoreographyGiora ManorHebrewFolk Dance Supplement310
Composition: Spatial Movement DesignRuth EshelHebrewFolk Dance Supplement311
African DanceAlexander SchwanHebrewFolk Dance Supplement313-16
Folk Dance in Israel – 100 Years of Zionism in DanceZvi FriedhaberHebrewFolk Dance Supplement43-16
House Stories – The House of Gurit KadmanBracha Dudai & Yesraela KahanaHebrewFolk Dance Supplement53
A Present View of Yesterday – On Gurit Kadman and Israeli Folk DanceAyala Goren KadmanHebrewFolk Dance Supplement54--6
Dreaming and Dancing – About Gurit KadmanDan RonenHebrewFolk Dance Supplement510-14
A Portrait of Gurit KadmanZvi FriedhaberHebrewFolk Dance Supplement515-16
Dancing in the Forest – Shalom HermonRuth EshelHebrewIsrael Dance Quarterly222-23
Israeli SummerYael EfratiHebrewIsrael Dance Quarterly222
Choreographers Talking: Rami Be’er and Ohad Naharin MeetGiora ManorHebrewIsrael Dance Quarterly86-11
Bread, Butter and Dance – Israeli Choreographers Co-operate to Reduce ExpensesShai HarlevHebrewIsrael Dance Quarterly812-15
What Makes Ido Tadmor RunGal AlsterHebrewIsrael Dance Quarterly816-19
Form and Content and What’s BetweenRuth EshelHebrewIsrael Dance Quarterly820-25
Twyla Tharp at the Royal BalletJohn PercivalHebrewIsrael Dance Quarterly826-29
Stage LightingJudy KupermanHebrewIsrael Dance Quarterly842-45
Let’s banish the darkness – light design for danceGiora ManorHebrewIsrael Dance Quarterly846-47
In memory of the dance photographer Yaakov AgorGiora Manor & Eldad BaronHebrewIsrael Dance Quarterly848-49
The Last Giant of American Dance FilmsGiora ManorHebrewIsrael Dance Quarterly850-53
Alfred Schnittke – a composer for dancingHelmut ScheirHebrewIsrael Dance Quarterly854-57
Libido and Temptation – Three Spanish ChoreographersNorbert ServosHebrewIsrael Dance Quarterly858-61
Gigi Caciuleanu – Interview by Yossi TavorYossi TavoriHebrewIsrael Dance Quarterly864-67
The Prague Chamber BalletJana HoelnovaHebrewIsrael Dance Quarterly868-71
From a Dance Critic’s DeskGiora ManorHebrewIsrael Dance Quarterly1070-72
Coppelia” – Maguy Marin version of the old story”Michal EisenstaatHebrewIsrael Dance Quarterly96-9
Rehearsal Directors About their WorkSivan Pastman Cohen & Rena GluckHebrewIsrael Dance Quarterly910-13
Montpellier Dance Festival 1996Ruth EshelHebrewIsrael Dance Quarterly914-17
In search of new dance – Europe spring 1996Giora ManorHebrewIsrael Dance Quarterly918-25
The fighters of the streets of New York – Break DanceYaron MargolinHebrewIsrael Dance Quarterly938-43
Mutual relations – Israeli dancers co-operateGal AlsterHebrewIsrael Dance Quarterly944-45
Matz Ek wakes the Sleeping BeautyHelmut ScheirHebrewIsrael Dance Quarterly946-47
Slavonic Dances New StyleGiora Manor & Yossi ZaiderHebrewIsrael Dance Quarterly948-53
The “Mitzva Tanz” – The Original and Traditions of Jewish Wedding DancesZvi FriedhaberHebrewIsrael Dance Quarterly956-61
Ballet in Russian OperasAda DobrovtzkiHebrewIsrael Dance Quarterly962-65
A Quarter of a Century of Kibbutz Dance CreationGiora ManorEnglishIsrael Dance Quarterly9123-127
The Useen Ones – The People behind the ScenesEran ShaharHebrewIsrael Dance Quarterly996-100
Thte Ga’aton School – Something UniqueHenia RottenbergHebrewIsrael Dance Quarterly9101-103
1970 – 1996 List of Works of the Kibbutz Contemporary Dance CompanyGiora ManorEnglishIsrael Dance Quarterly9116-122
Political DanceGiora ManorHebrewIsrael Dance Quarterly106-13
To Dance with the Times – The Arab-Israeli Conflict as it appears in Israeli DanceRuth EshelHebrewIsrael Dance Quarterly1074-77
London SwansYossi TavorHebrewIsrael Dance Quarterly1022-25
Third International Suzanne Dellal Dance CompetitionShai HarlevHebrewIsrael Dance Quarterly1026-29
Ehad-HaAm street 42 – The Dancing OrensteinsGaby AldorHebrewIsrael Dance Quarterly1030-33
Israeli dance companies in 1995 – a statistic reviewGiora ManorHebrewIsrael Dance Quarterly1034-35
Two women- Two dancersZe'eva CohenHebrewIsrael Dance Quarterly1036-37
International Dance Congress in AustraliaOu Jian PingHebrewIsrael Dance Quarterly1044-45
Dancing BooksGiora ManorHebrewIsrael Dance Quarterly1046-47
European Dance – Autumn 1996Giora ManorHebrewIsrael Dance Quarterly1048-55
Curtain Up 1996 & International ExposureGiora ManorHebrewIsrael Dance Quarterly1069
Boris Eifman and his Red GiselleYossi TavoriHebrewIsrael Dance Quarterly1058-61
The Critic’s Review: Giora ManorGiora ManorHebrewIsrael Dance Quarterly1062-68
Gvanim BeMahol (Dance Hues) – A Showcase of Young Israeli ChoreogrpahersGiora ManorHebrewIsrael Dance Quarterly116-9
Gaite Israelienne – Jewish Joy in Rambert Dance CompanyHenia RottenbergHebrewIsrael Dance Quarterly1118-19
A New Broom at the Zurich BalletGiora ManorHebrewIsrael Dance Quarterly1120-21
Interview with General Directors of the Batsheva and Kibbutz Dance CompaniesShai HarlevHebrewIsrael Dance Quarterly1122-25
Paradis in Boxes” – A New Dance by Itzik Galili”Giora ManorHebrewIsrael Dance Quarterly1126-27
The Same Dances in Different CostumesGiora ManorHebrewIsrael Dance Quarterly1134
Dance Costumes Design in IsraelRuth EshelEnglishIsrael Dance Quarterly1179-83
Interview with Costume Designer Rakefet LeviRuth EshelHebrewIsrael Dance Quarterly1139
Costumes that are part of the danceGiora ManorHebrewIsrael Dance Quarterly1140-43
Costume Designer Athalia Ben Menahem: To Dress Women and MenAtalia Ben MenahemHebrewIsrael Dance Quarterly1144-45
Daddy, I’am dancing nudeYaron MargolinHebrewIsrael Dance Quarterly1146-47
Young dancers in mature works in the Stuttargt BalletGiora ManorHebrewIsrael Dance Quarterly1148-49
The Ballet Teacher Mia ArbatovaRuth EshelHebrewIsrael Dance Quarterly1152-53
Mia Arbatova Ballet Competition 1997Giora ManorHebrewIsrael Dance Quarterly1154-55
Israel Dance Quarterly Index 1-15Giora ManorEnglishIsrael Dance Quarterly1176-77
And How is Israel Dance Feeling Today – 1997Giora ManorHebrewIsrael Dance Quarterly126-9
The Other is not yet Born – An Evaluation of Israel DanceGaby AldorHebrewIsrael Dance Quarterly1210-11
Meeting Angelin Preljokaj – An InterviewNaomi PerlovHebrewIsrael Dance Quarterly1212
A Princess in Trouble and Swans in LondonHenia RottenbergHebrewIsrael Dance Quarterly1213
Vertigo Dance Company – 5 Years of CreativityGiora ManorHebrewIsrael Dance Quarterly1214-17
And What shall Become of Bat-DorRuth EshelHebrewIsrael Dance Quarterly1218-21
Theatrical Dance or Movement TheatreRoger CopelandHebrewIsrael Dance Quarterly1222-27
Montpelleir Festival 1997Shosh AvigailHebrewIsrael Dance Quarterly1231-33
We belong to Dream-time – Dance of the Aborigines in AustraliaMoshe KedemHebrewIsrael Dance Quarterly1234-41
Meet David Golfilil – An Aborigin DancerMoshe KedemHebrewIsrael Dance Quarterly1242-43
William Forsythe – A Choreographer in a Cul-de-sacGal AlsterHebrewIsrael Dance Quarterly1244-47
SHINNING BIRDS OVER TAKSIM SQUARE – BALLET IN TURKEYGIORA MANORHebrew48-50
NewsHebrewIsrael Dance Quarterly1251-53
The Spirit of the Flesh – About the Chollmondeley – LondonHenia RottenbergHebrewIsrael Dance Quarterly1254-57
Past, Present and Future of the BuothGiora ManorHebrewIsrael Dance Quarterly1258-60
Kazuo Ohno performs in BerlinJochen ShmidtHebrewIsrael Dance Quarterly1261
Dance Photography – An Attempt at the ImpossibleGiora ManorHebrewIsrael Dance Quarterly1262-65
From a Critic’s Desk: Giora ManorGiora ManorHebrewIsrael Dance Quarterly1266-71
Gertrud Kraus – Doyenne of Israel Modern DanceGiora ManorHebrewIsrael Dance Quarterly1272-73
יש עם מי לרקוד – הרמת מסך 1993גיורא מנורHebrew34-35
חדשות – חדשות – חדשותגיורא מנור, ציפי פליישר, גבי אלדור, אביבה הברHebrew26-35
חדשות – כנסים ומפגשי מחול בעולםגיורא מנורHebrew43
ספרים מרקדים: טוויילה טארפ – רקדנית עם שכל, אריק הוקינס, מרס קאנינגהם בעיני בני-דורוגיורא מנורHebrew42-43
ספרים מרקדים – הגוף המטאפורייוסי זיידרHebrew43
ספרים מרקדים : גוליאמו – היהודי מפסארוגיורא מנורHebrew44-45
ספרים מרקדיםגיורא מנורHebrew60-61
מיפגשים, פסטיבלים וקונגרסיםגיורא מנורHebrew48
ספרים מרקדיםגיורא מנורHebrew56-57
עשרים שנה למלכותו של קיליאן הראשוןגיורא מנורHebrew64-67
מפנקסו של מבקרגיורא מנורHebrew71-72
Karmiel Dance Festival 2002Henia RottenbergHebrewMahol Akhshav-Dance Today938-39
The Uzes dance festivalOra BrafmanHebrewMahol Akhshav-Dance Today940-43
Premieres: April – June 2002HebrewMahol Akhshav-Dance Today949-51
Fear – Curtain Up Festival 2002Gaby AldorHebrewMahol Akhshav-Dance Today102-3
Vera Goldman – An Ehtnogrpaher of DanceShai HarlevHebrewMahol Akhshav-Dance Today104-9
The Great Revolt and the Return to the Roots: The Influence of Ausdruckstanz on Movement Theater in IsraelRuth EshelEnglishMahol Akhshav-Dance Today1050-55
Where to Dance Instruction? Dance Teachers’ Career PatternsYael MuskunaHebrewMahol Akhshav-Dance Today1018-21
A Non-Nostalgic View of Egon SchilleHenia RottenbergHebrewMahol Akhshav-Dance Today1022-26
Between Stravinsky and Kylian – An Interpretation of the Dance “Symphony of PsalmsMoshe KedemHebrewMahol Akhshav-Dance Today1027-33
Ruthi Tamir – In Pantomime is a Story Behind Every LookEinav RosenblitHebrewMahol Akhshav-Dance Today1034-35
Is there a culture policy in Israel? Policy and criteria in budget allocations for danceDan RonenHebrewMahol Akhshav-Dance Today1041-43
Festivals: Meg Stuart – Dance as Transit StationRonit LandHebrewMahol Akhshav-Dance Today1044-45
Is 1992 a year of Transition? Interview with Artistic Directors of the Leading Dance Companies in IsraelRuth EshelEnglishIsrael Dance Quarterly160-63
Israeli Set Designer Dani Karavan Describes his Work for Martha GrahamDani KaravanHebrewIsrael Dance Quarterly120-21
The great Russian choreographer Michail Fokine met Martha Graham in 1931 – extraits from that meetingMichail FokineHebrewIsrael Dance Quarterly122-23
The heritage of Martha Graham – about the book of Agnes de MilleGiora ManorHebrewIsrael Dance Quarterly124-25
Nureyev’s Last LeapGiora ManorHebrewIsrael Dance Quarterly128-32
Iloyd Newson’s Strange FishGiora ManorHebrewIsrael Dance Quarterly126-27
Israelis AbroadRado KlaperHebrewIsrael Dance Quarterly138-39
To night we dance history – the history of Israel from 1920 to our day is depicted through the changes in social dancing coffee house in JaffaGaby AldorHebrewIsrael Dance Quarterly140-43
Conquering the World with the Yemenite Tin-drum – About Amaka-Oshrat Dance TroupeRuth AshkenaziEnglishIsrael Dance Quarterly158-59
Jury, jury in the hall – who is the fairest of them all? The first international competition,Warsaw, 1993 and some of the Jewish dancersGiora ManorHebrewIsrael Dance Quarterly156-57
Choreographers of the World – UniteRuth EshelHebrewIsrael Dance Quarterly151
Formalism: Three Decades of Post-modern DanceRoger CopelandHebrewIsrael Dance Quarterly152-55
Dancing into the Abyss – An exhibition about modern dance in the early years of the Third Reich in Berlin during the Nazi regimeGiora ManorHebrewIsrael Dance Quarterly264-65
From isolation to openness – recent development in dance in the former D.D.RGiora ManorHebrewIsrael Dance Quarterly210-12
Germany’s Guilt – The Political Theatre of Hans Kresnik at BremenGiora ManorHebrewIsrael Dance Quarterly213-15
NewsHebrewIsrael Dance Quarterly216-24
Heavy Dancers – Workng with Mentaly Retarded DancersGiora ManorHebrewIsrael Dance Quarterly266
Dancing with Papa – About Handicapped DancersItzik WeingertenHebrewIsrael Dance Quarterly226-28
Flowers and Hearts – Dancing with Handicaped ChildrenRaya SpivakHebrewIsrael Dance Quarterly229
The Art of Dance in Hong KongHenia RottenbergHebrewIsrael Dance Quarterly230-32
Gevanim BeMahol – Hues in Dance, 1993Giora ManorHebrewIsrael Dance Quarterly232-33
Dancing BooksGiora ManorHebrewIsrael Dance Quarterly1134
Barefoot” – Ora Brafmans’s film about Sara Levi-Tanai”Sara Levi-TanaiHebrewIsrael Dance Quarterly235
Maya Plisetskaya creating the role of the “Mad Woman of Chaillot”, Rennes, FranceRado KlaperHebrewIsrael Dance Quarterly236
Ze’ev Havazelet – The Silver GrapefruitZiv FrenklHebrewIsrael Dance Quarterly240
A Flowing Fountain – Ze’ev HavazeletMoshe KedemHebrew41-42
Unisono – Advantages and DangersGal AlsterHebrewIsrael Dance Quarterly250-51
Shoulder Dance – The Ethnic Dance of Ethiopian Jews in IsraelRuth EshelEnglishIsrael Dance Quarterly268-71
Romeo and Julia’s 80th birthday – new development in dance in the Czek RepublicGiora ManorHebrewIsrael Dance Quarterly257-58
Israeli folk dance between folklore and entertainmentZvi FriedhaberEnglishIsrael Dance Quarterly260-61
Modern dance education at the close of the 20th centuryRuth EshelEnglishIsrael Dance Quarterly361-64
Quick as Lizzards – Wim Vanderceybus Dance CompanyRonit LandHebrewIsrael Dance Quarterly311-12
The Dancer’s Work – Three ModelsGeorge RusselHebrewIsrael Dance Quarterly312-15
Ballet Education in Israel – Interview wth Nira PazRado KlaperHebrewIsrael Dance Quarterly316-17
Dancing with HandicapesHaya ZurHebrewIsrael Dance Quarterly320- 25
Psychotherapy and ChoreogrpahyYossi ZeiderHebrewIsrael Dance Quarterly326-27
Capoeira – movement from another worldGal AlsterHebrewIsrael Dance Quarterly328-30
Portrait: Rami Be’er – The Humane DiapasonGiora ManorHebrewIsrael Dance Quarterly331-33
Is an open mind dangerous to dance? – Israeli choreographer Yaron Margolin considers questions about dance that affects his workYaron MargolinHebrewIsrael Dance Quarterly336-37
Encounters in FinlandNatan MishoriHebrewIsrael Dance Quarterly338-39
A Tradition of Contemporary Choreography: Nederland-IsraelEva va SchaikHebrewIsrael Dance Quarterly340-42
Nik the Wizzard – Alwin Nikolais 1912-1993Giora ManorHebrewIsrael Dance Quarterly343-35
Stuttgart – a breading place for choreographersHorst KoeglerHebrewIsrael Dance Quarterly346-48
Shcriftanz- German and English publications on the magazineGiora ManorHebrewIsrael Dance Quarterly359-60
The dancer from Dan – A dancing sculpture in the archaeoclogy site of Dan in North IsraelZvi FriedhaberHebrewIsrael Dance Quarterly351
Jewish Dance Traditions through the Ages – Jewish Dance in the Mishna-Talmudic Period- part IZvi FriedhaberEnglishIsrael Dance Quarterly356-57
The Aesthetics of Stage ViolenceGiora ManorHebrewIsrael Dance Quarterly354-56
Hundred Years of Dance in AmericaDovik AshdotHebrewIsrael Dance Quarterly46-9
The Wonderful Journey of Ruth Ziv-Ayal: Portrait of a ChoreographerGiora ManorHebrewIsrael Dance Quarterly410-14
Real Love – Frank Andersen leaves the post of artistic director of the Royal Danish BalletAnn Flindt ChirstensenHebrewIsrael Dance Quarterly418-19
Order and Disroder – Slam DanceRobert GrosmanHebrewIsrael Dance Quarterly420-25
Chinese on PointeHenia RottenbergHebrewIsrael Dance Quarterly436-39
Montpellier Dance Festival 1994Giora ManorHebrewIsrael Dance Quarterly440-41
Jewish Dance Traditions through the Ages – Dance in the Jewish Communities in Italy During and After the Renaissance – part twoZvi FriedhaberEnglishIsrael Dance Quarterly4116-117
Chris Bruce Returnes to Ballet RambertGiora ManorHebrewIsrael Dance Quarterly448-49
Fifty Years to the First Dalia Folkdance FestivalDan RonenHebrewIsrael Dance Quarterly4122-123
Batsheva Dance Company – The Flagship of Modern Dance in Israel 1964-1994Giora ManorHebrewIsrael Dance Quarterly4106-111
The founder meet and talk – veteran dancers of Batsheva remember early daysNatan MishoriHebrewIsrael Dance Quarterly470-79
Batsheva Turns 30 – The Israeli Set Designer describes some of the Important Works in the Repertoire of the CompanyDani KaravanHebrewIsrael Dance Quarterly480-83
Batsheva and its’ Israeli choreographersRuth EshelHebrewIsrael Dance Quarterly484-91
Ohad Naharin Talks to Gaby AldorGaby AldorEnglishIsrael Dance Quarterly4104-105
Repertoire – Batsheva Dance Company 1964 -1994Giora ManorEnglishIsrael Dance Quarterly499-101
The Art of PerformingRuth EshelEnglishIsrael Dance Quarterly582-87
Stephan Thoss – The Rising Star of Dresden BalletRonit LandHebrewIsrael Dance Quarterly518-20
The phone range three times – a dancer’s return after injuryYossi ZeiderHebrewIsrael Dance Quarterly521
International Dance Competition – Suzanne Dellal 1994Giora ManorHebrewIsrael Dance Quarterly522-25
Itzik Galili – A European SuccessGal AlsterHebrewIsrael Dance Quarterly530-33
Moderchai Seter – A Composer for DancersHanoch RonHebrewIsrael Dance Quarterly534-37
NEWS HERE AND THEREGIORA MANORHebrew38-43
Modern Dance in RussiaElena TchernishevaHebrewIsrael Dance Quarterly548-49
Pioneers of Expressionism in the Tel Aviv and the YishuvZvi FriedhaberHebrewIsrael Dance Quarterly550-53
The Secret of the Stuttgart CharmGiora ManorHebrewIsrael Dance Quarterly554-57
Jewish Dance Tradition – Dances in the Jewish Communities in the Ottoman Empire and Eretz-Israel – part 3Zvi FriedhaberEnglishIsrael Dance Quarterly588-89
Wudao 1994 – A Summer of Dance in BeijngRuth EshelHebrewIsrael Dance Quarterly566-69
Modern Dance in ChinaOu Jian PingHebrewIsrael Dance Quarterly570-73
Other Chinese Dancing – A Visit to TaiwanGiora ManorHebrewIsrael Dance Quarterly574-77
Alone and Together – The Work of Liat Dror and Nir Ben-GalGiora ManorHebrewIsrael Dance Quarterly66-14
Black Swans and Whirling DervishesRoger CopelandHebrewIsrael Dance Quarterly615-17
Irek Muchamedov – Interview with the Russian Danseur Noble of the Royal BalletYossi TavorHebrewIsrael Dance Quarterly618-21
The Search of Inner Light – A Portrait of the Late Erick HawkinsDovik AshdotHebrewIsrael Dance Quarterly626-29
Ballet in Russia: Grigoreivich vs/ VasilievNatalia CherovaHebrewIsrael Dance Quarterly630-31
Dance in Eastern Europe TodayAlan BernardHebrewIsrael Dance Quarterly632-35
A Lot of NutcrackersMichal EisenstaatHebrewIsrael Dance Quarterly638-41
NewsGiora Manor & Henia Rottenberg & Pnina Rosenberg & Gal AlsterHebrew42-48
About Israeli Songs and Folk DanceZippi FleischerHebrewIsrael Dance Quarterly653
Ballet is my Mother Tongue – Gal Alster talks with William ForsytheGal AlsterHebrewIsrael Dance Quarterly654-55
Dances of the Dammed – Choreographers Banished by the NazisAndrea AmortHebrewIsrael Dance Quarterly658-59
The Pilates MethodEla Bar-DavidHebrewIsrael Dance Quarterly660-61
Power of Weakness” – Edward the Second by David Bintly in Stuttgart Ballet”Giora ManorHebrewIsrael Dance Quarterly662-63
State Ballet School – Pleasant Suprise in BerlinGiora ManorHebrewIsrael Dance Quarterly668-69
One Foot Above the Earth – Hassidic Dance in the Words of SagesZvi FriedhaberHebrewIsrael Dance Quarterly670-72
The Noble Savage from Jerusalem – The 20 Years of Moshe Efrati’s CompanyGiora ManorHebrewIsrael Dance Quarterly676-78
KolDemama as Personal Experience by Moseh Efrati’s DesignerMoshe Ben ShaulHebrewIsrael Dance Quarterly679-80
The Specific in the Universal – Efrati’s AestheticRuth EshelEnglishIsrael Dance Quarterly696-98
Efrati and the Humane VoiceEster NadlerHebrewIsrael Dance Quarterly685-87
KolDemama Future PlansArie YassHebrewIsrael Dance Quarterly688-89
Such a kind by Noam Sheriff about Moshe Efrati – friend, composer, conductorNoam SherifHebrewIsrael Dance Quarterly690-91
Moshe Efrati List of Works 1969 -1994HebrewIsrael Dance Quarterly692-93
Hues in Dance” Festival (Gvanim Bemahol) 1995″Giora ManorHebrewIsrael Dance Quarterly622-25
Choreography in Virtual RealityYaakov Sharir & Diana GramolaHebrewIsrael Dance Quarterly76-8
דורית שמרון – לכבוש את הבמה, לכבוש את העולםמאיה בהירHebrew42-45
חדשותHebrew
The Magic of Mystery – How is Dance CreatedRachel Bilski CohenHebrewMahol Akhshav-Dance Today614-19
…..Creativity isErica LandauHebrewMahol Akhshav-Dance Today620-25
Being a Choreographer is DifficultSofia NaharinHebrewMahol Akhshav-Dance Today626-27
“Behold the Monster Within Us – On the Creative Process of the “End of InnocenceAlice Dor CohenHebrewMahol Akhshav-Dance Today628-33
I saw God dance from you and towards you – From the Diary of Roni SegalRoni SegalHebrewMahol Akhshav-Dance Today634-39
Exploration of the body and profound consciousness – a creative workshop with choreographer Noa DarEinav RosenblitHebrewMahol Akhshav-Dance Today640-41
Working in Layers – Text and Movement: A Creative Workshop with Amir KolbenYonat RothmanHebrewMahol Akhshav-Dance Today642-43
Teaching the Unteachable – The Choreograph Teachers’ RoleSiki KolHebrewMahol Akhshav-Dance Today644-45
Here are latent creative forces in every person – on teaching creativity in Israel in the folkdance communityDan RonenHebrewMahol Akhshav-Dance Today646-52
Allowing things to flow – on the creative processOshra Elkayam RonenHebrewMahol Akhshav-Dance Today653-54
Pushkin and the Israel BalletMaya BahirHebrewMahol Akhshav-Dance Today654-57
What the body cannot do and what the soul requires – Veritgo dance company and Adam Benjamin create with cripple dancersShai HarlevHebrewMahol Akhshav-Dance Today658-61
The Russian “Hamlet” of Boris EifmanYossi TavoriHebrewMahol Akhshav-Dance Today674-75
Without Words: Nacho Duato’s new danceRonit LandHebrewMahol Akhshav-Dance Today678-79
Festival all Over: Spanish Surrealism – The Annual Valenci Fance FestivalGiora ManorHebrewMahol Akhshav-Dance Today680-81
Poland, not in black and white – Dance festival in BittonGaby AldorHebrewMahol Akhshav-Dance Today682-85
Hassia Levi-Agron: Expressing the Sun and the Stars in MovementTalia Perlstein-KaduriHebrewMahol Akhshav-Dance Today764-71
Ballet Rambert is 75 years oldGiora ManorHebrewMahol Akhshav-Dance Today716-21
Knowing the dance historyThiya ReismanHebrewMahol Akhshav-Dance Today722-27
Hora Jerusalem Dance Company as a ParableDan RonenHebrewMahol Akhshav-Dance Today728-33
Watching Hora: The Jerusalem CompaniesRachel Bilski CohenHebrewMahol Akhshav-Dance Today734-35
Relations Between the ArtsHenia RottenbergHebrewMahol Akhshav-Dance Today736-41
Sonia d’Orleans Juste – Now I feel my dark side burstingMaya BahirHebrewMahol Akhshav-Dance Today746-47
Pleasure in Movement – About Ohad Naharin’s GAGAEinav RosenblitHebrewMahol Akhshav-Dance Today748-49
NewsHebrewMahol Akhshav-Dance Today750-56
New Dance Books in the European Commom MarketGiora ManorHebrewMahol Akhshav-Dance Today762-63
Rina Shaham has departedRuth EshelHebrewMahol Akhshav-Dance Today114-6
Sixty Years to the First Dalia Festival, 1944-2004: Changes in Israeli Folk DanceDina RoginskyEnglishMahol Akhshav-Dance Today1194-99
Dance isLiat DrorHebrewMahol Akhshav-Dance Today1131-33
Susan Langer – Expression and Feeling in DanceEster NadlerHebrewMahol Akhshav-Dance Today1134-38
The Arab-Israeli Conflict in the Dances of Amir Kolben, Rami Be’er and Ohad Naharin – From a Presentation of the Narrative to its DeconstructionYonat RothmanHebrewMahol Akhshav-Dance Today1139-45
Dance Hothouses for Independent CreatorsEran BanielHebrewMahol Akhshav-Dance Today1146-47
Dance in Fine Literature – Personal Testimony and Social SignificanceNaomi Bahat RatzonHebrewMahol Akhshav-Dance Today1148-54
Premieres December 2003- June 2004אורנית מרקHebrew55-60
Those Who Didn’t Dance – About Dance PatronsGiora ManorHebrewMahol Akhshav-Dance Today1161-67
Thougths on PreparationLiora Bing HeideckerHebrewMahol Akhshav-Dance Today1168-71
Dance Education in the 21th CenturyMiriam Ruskin BergerHebrewMahol Akhshav-Dance Today1172-74
Folk Dance as Inspiration for Concert DanceDan RonenHebrewMahol Akhshav-Dance Today1175-81
NewsHebrew82-86
The “Outlandish” Fring of the Montpellier FestivalOra BrafmanHebrewMahol Akhshav-Dance Today1187-91
Fifteen Years to “Curtain Up” – Haramat MasachNily CohenHebrewMahol Akhshav-Dance Today125-6
Thoughts on “Curtain Up” – Haramat Masach 2004Ruth EshelEnglishMahol Akhshav-Dance Today1292-94
Curtain Up (Haramat Masach) EncounterRuth EshelHebrewMahol Akhshav-Dance Today1210-16
Questioning Every Achievement – Interview with Francesca SpinazziEran BanielHebrewMahol Akhshav-Dance Today1217-19
Mirali Sharon: Dance is a unique entity of lifeRuth EshelHebrewMahol Akhshav-Dance Today1220-26
Text adaptation – “The Rite of Spring” by Emanuel GatHenia RottenbergHebrewMahol Akhshav-Dance Today1235- 39
Thoughts on what is the essence in classical ballet teachingLiora Bing HeideckerHebrewMahol Akhshav-Dance Today1240-43
Pina Bausch’s Cafe – Alientation in DanceYonat RothmanHebrewMahol Akhshav-Dance Today1244-47
2002-2003 :PremieresOrnit MarkHebrewMahol Akhshav-Dance Today1248- 50
בכורות: יולי – דצמבר 2004אורנית מרקHebrew51-55
“The Innermost Heart of Mats Ek’s “ApartmentSari ElronHebrewMahol Akhshav-Dance Today1262-65
Thirty years to Yemenite-Israeli Amka Dance GroupDan RonenHebrewMahol Akhshav-Dance Today1271-75
Belly Dance: Orientalism, Exoticism and Self ExoticismDina RoginskyHebrewMahol Akhshav-Dance Today1276-80
The 18th Congress of Dance Research – le conseil international de la danse – CIDRuth EshelHebrewMahol Akhshav-Dance Today1281-84
Lyon – Europe the 11th Dance BiennialOra BrafmanHebrewMahol Akhshav-Dance Today1285-91
Concepts of the body in contemporary danceGavrielle BrandstatterHebrewMahol Akhshav-Dance Today139-12
First Person SingularLiora Bing HeideckerHebrewMahol Akhshav-Dance Today1313-16
The ballet “Pas de Quatre”: Four Ballerinas in the Romantic Period in FranceHilit Zilzerman & Shelly BickelsHebrewMahol Akhshav-Dance Today1317-22
The cultural significance of body talk among dancing girlsYael (Yali) NativHebrewMahol Akhshav-Dance Today1323-26
The body’s limitations and the power of the soulAdi ShaalHebrewMahol Akhshav-Dance Today1327-31
The Body is PoliticalHadas Ofrat, Gideon Ofrat, Dror Harari, Ori DrumerHebrewMahol Akhshav-Dance Today1332-34
The presenet body and the body’s presence: “Three” by Ohad NaharinHenia RottenbergHebrewMahol Akhshav-Dance Today1335-39
“Talk to the Body: Perception of the body in Pedro Almodvar’s “Talk to HerYonat RotmanHebrewMahol Akhshav-Dance Today1340-43
About the Body: Artist’s Panel with Ronit Ziv, Silvia Duran, Vera GoldmanRuth Eshel & Henia RottenbergHebrewMahol Akhshav-Dance Today1344-45
Premieres: January – August 2005אורנית מרקHebrewMahol Akhshav-Dance Today1346-52
Tamar Ramle Dance Theatre (TAMAR), 1982-1984Ruth EshelHebrewMahol Akhshav-Dance Today1362-69
Books: ” A Queen without a Palace”- about Mia Arbatova, pioneer of ballet in IsraelGaby AldorHebrewMahol Akhshav-Dance Today1370-73
Kuopio dance festivalOra BrafmanHebrewMahol Akhshav-Dance Today1374-79
Montpellier Dance Festival 2005Ora BafmanHebrewMahol Akhshav-Dance Today1380-85
Bourneville Festival: Agusut Bourneville – A choreogapher for all timesDaniela ShapiraHebrewMahol Akhshav-Dance Today1386-91
NewsHebrewMahol Akhshav-Dance Today1353-61
Theater and dance – a meeting pointRuth EshelHebrewMahol Akhshav-Dance Today84-9
Respect to wordsGal AlsterHebrewMahol Akhshav-Dance Today810-11
She feels no need to arrive – with and about Oshra Elkayam-RonenShai HarlevHebrewMahol Akhshav-Dance Today812-17
Hope out of the Void – Song of My PeopleGaby AldorHebrewMahol Akhshav-Dance Today820-23
Folk dances are poemsDan RonenHebrewMahol Akhshav-Dance Today824-25
Choreograph or Director – Find the DifferenceRonit LandHebrewMahol Akhshav-Dance Today826-28
Vala – in memory of Valentina Archipova Grossman, pioneer of ballet in IsraelLiora Bing HeideckerHebrewMahol Akhshav-Dance Today830-31
Movment cannot cheat and lie – impressions and problems of a ballet teacher in Israel in Haifa – mid 1950sArchipova Valentina GrosmanHebrewMahol Akhshav-Dance Today868-71
Dance and Holocaust: Remembrances, Images and Words – “Aid Memoire” by Rami Be’erSmadar WeissHebrewMahol Akhshav-Dance Today836-39
The Stuttgart Ballet celebrates 40 years to Cranko eraGiora ManorHebrewMahol Akhshav-Dance Today840-41
Sportive dance – Ballroom dancing in IsraelMaya BahirHebrewMahol Akhshav-Dance Today842-43
Itzik Galili: The chaos we turn life intoLucia van HeternHebrewMahol Akhshav-Dance Today844-47
NewsHebrew49-53
The Cannes festivalOra BrafmanHebrewMahol Akhshav-Dance Today854-57
The spring festival in IndiaRachel Bilski CohenHebrewMahol Akhshav-Dance Today858-61
Books: Homage to Sara Levi-TanaiDan RonenHebrewMahol Akhshav-Dance Today862
Books: 9 Portraits of avant-garde European choreographersGiora ManorHebrewMahol Akhshav-Dance Today863
The language of danceHenia RottenbergHebrewMahol Akhshav-Dance Today864
PremieresRuth EshelHebrewMahol Akhshav-Dance Today865
Bathing in LightGaby AldorHebrewMahol Akhshav-Dance Today92-5
The Secret Weapon – About Stage LightingJudy KupermanHebrewMahol Akhshav-Dance Today96-10
Light design for dance – between plasic design and space designBen Zion MunitzHebrewMahol Akhshav-Dance Today918-23
The dance is a light reflecting body – an article by Kibbutz’s dance company light designerNisan GelbardHebrewMahol Akhshav-Dance Today924-25
All the Options within One Totality – An Interview with Rami Be’erHenia RottenbergHebrewMahol Akhshav-Dance Today952-54
Stage make-up for danceGaby BarHebrewMahol Akhshav-Dance Today928-31
NewsHebrew32-35
The Mia Arbatova ballet competitionIsrael Roy EbensteinHebrewMahol Akhshav-Dance Today936-37
ספרים: הבלרינה הרוסית נטליה בסמרטנובהיוסי תבורHebrew64-65
חדשותגיורא מנור, רות אשל, שי הרלבHebrew68-71
Curtain Up and DownGiora ManorHebrewMahol Akhshav-Dance Today14-5
Equal and Royal – 50 Years of the New York City BalletGaby AldorHebrewMahol Akhshav-Dance Today16-11
Between Abstraction and Expression – The Choreography of Rami Be’erHenia RottenbergHebrewMahol Akhshav-Dance Today112-17
Dance in Life and in EducationNurit RonHebrewMahol Akhshav-Dance Today118-19
To do Something with Nature – Rina Schenfeld Celebrates 40 Years of DancingShai HarlevHebrewMahol Akhshav-Dance Today124-28
Why Turnout? A Theoretical Investigation Concerning the Nature of Turn Out in Western Theatrical DancingLiora Bing HeideckerHebrewMahol Akhshav-Dance Today129-31
חדשותרות אשלHebrew32-35
Let people dance and they will – Naomi Bahat talks with Martha Inbar about “Barefoot”- A new book on Jewish-Yemenite tradition in Israel danceMartha InbarHebrewMahol Akhshav-Dance Today138-39
Mia Arbatova CompetitionYael EfratiHebrewMahol Akhshav-Dance Today140
Israel Festival 2000Ora BrafmanHebrewMahol Akhshav-Dance Today140-42
This is not a Swan it is a Duck – Matthew Boerne at the Royal BalletYonat RothmanHebrewMahol Akhshav-Dance Today143
Hips Swirls like a Mobile in Kibbutz Ein-Hashofet: Celebrating in the Valley and in the Mountain in Eretz IsraelRuth EshelHebrewMahol Akhshav-Dance Today172-75
Cannes Dance Festival: Forsythe Off KeyOra BrafmanHebrewMahol Akhshav-Dance Today149-51
Montpellier: the Transparent, the Real, and the VirtualGaby AldorHebrewMahol Akhshav-Dance Today152-55
Montpelleir: The End of PhilosophyGiora ManorHebrewMahol Akhshav-Dance Today156
Groningen: Dutch festival and choreographers competitionGiora ManorHebrewMahol Akhshav-Dance Today157-61
Chronosmile” Israeli Choreographer Amir Kolben Seeks Time”Henia RottenbergHebrewMahol Akhshav-Dance Today162-63
Having a good time in Gomorrah – Ido Tadmor and his companyGiora ManorHebrewMahol Akhshav-Dance Today164
Classical Ballet – Israel Dance’s StepsonRuth EshelEnglishMahol Akhshav-Dance Today286-93
Tantztheater and the Theater of the AbsurdGiora ManorHebrewMahol Akhshav-Dance Today28-13
Mechanized Puppets and Virtual Spaces – The Effects of Technical Changes on Dance from “Coppelia” to Virtual RealityHenia RottenbergHebrewMahol Akhshav-Dance Today214-17
A Creator of Three Homelands – On Anna Sokolow 1912-2000Giora ManorHebrewMahol Akhshav-Dance Today218-21
Anna Sokolow – Dancers evoke Memories from the Lyric TheaterGalia Gat & Moshe RomanoHebrewMahol Akhshav-Dance Today222-23
Dancing to Death – On Romantic Expression in the Ballet GiselleTalia PerlsteinHebrewMahol Akhshav-Dance Today223-29
The Turnout in Contemporary Ballet – From the 19th Century to the 21stLiora Bing HeideckerHebrewMahol Akhshav-Dance Today230-33
Progressing Inward – A Conversation with Ido TadmoShai HarlevHebrewMahol Akhshav-Dance Today234-37
On ” At the End of the Road” – A Computerized Oratorial DanceZiona PeledHebrewMahol Akhshav-Dance Today238-41
Paris: Between Bobigny and the Opera – The International Dance CompetitionGaby AldorHebrewMahol Akhshav-Dance Today242-43
Impressions about the New World Dance Festival in LondonHenia RottenbergHebrewMahol Akhshav-Dance Today244-47
Folklore for Stage and Stage for FolkloreDan RonenHebrewMahol Akhshav-Dance Today248-55
Dancing with Gertrud KrausLea Ben-ZviHebrewMahol Akhshav-Dance Today260-61
Dance from the Land or Theater – On MedeaGal AlsterHebrewMahol Akhshav-Dance Today268
Critict’s Opinions: Non-erotic Aesthetics – On “Miniator Dream” by Blanca Li CompanyMeira Eliash-ChainHebrewMahol Akhshav-Dance Today269
Dance Replacing Ritual – On Ze’eva Cohen and Zvi Gotheiner’s Dance PerformancesJudith Brin IngberHebrewMahol Akhshav-Dance Today270-71
Premieres: April – June 2000HebrewMahol Akhshav-Dance Today272-73
Bat-Dor Dance Company: Facing the Future with Hope and ApprehensionGiora ManorHebrewMahol Akhshav-Dance Today274-75
On the Bat-Dor Dance SchoolIdo TadmorHebrewMahol Akhshav-Dance Today276-77
Bat-Dor Company’s Repertoire List 1968-1999HebrewMahol Akhshav-Dance Today278-81
Dance for Everyone – On Multi-culturality in Israel and its Influence on the Development of DanceDan RonenEnglishMahol Akhshav-Dance Today385-88
Debka and its Metamorphoses – Affinities between Arab Debka Dancing and Jewish Dance in IsraelAyala Goren KadmanHebrewMahol Akhshav-Dance Today310-15
Classical Ballet as Ethnic DanceGaby AldorHebrewMahol Akhshav-Dance Today316-17
Double Dance – Folk and Ethnic Dancing in IsraelDina RoginskyHebrewMahol Akhshav-Dance Today318-23
On “Morena Amora” – Neta Shizaf and Alina Pichersky Performance of Flamencao and Belly DancingShai HarlevHebrewMahol Akhshav-Dance Today324-29
Eskesta Dance Theater – Artistic Dance Inspired by Ethiopian FolkloreGila ToledanoHebrewMahol Akhshav-Dance Today330-34
“All Too Human Puppets – On the Fusion of Arts in “PetrushkaTalia PerlsteinHebrewMahol Akhshav-Dance Today335-42
Ground Breaking Dance – Selected Works by Lea AndersonHebrewMahol Akhshav-Dance Today343-47
Cinema Infused with Dance – A Conversation with Alson MurrayMartha InbarHebrewMahol Akhshav-Dance Today348-50
Tiny Body, Tiny Body on the Wall – The Montpellier Festival DanceGaby AldorHebrewMahol Akhshav-Dance Today353-55
Dancing at the Fair – The Third Dance Fair in Essen, GermanyGiora ManorHebrewMahol Akhshav-Dance Today356-57
Drama Enwrapped in Form – The Martha Graham School WebsiteSmadar WeissHebrewMahol Akhshav-Dance Today358-60
Ballet in Ashdod – About Panov BalletEinav RosenblitHebrewMahol Akhshav-Dance Today361-63
On Sasha Walz DanceRonit LandHebrewMahol Akhshav-Dance Today364-67
Technology as a Choreography Tool – On Virtuality and its Representations in Random Dance CompanyLinda DankworthHebrewMahol Akhshav-Dance Today372-74
Books: “Dance Export” by Naima PrevotsRuth EshelHebrewMahol Akhshav-Dance Today378-79
“Critic’s Opinion: Not Quite Kosher Beasts – About Ido Tadmor’s, Emanuel Gat and Shlomi Bitton “BeastGiora ManorHebrewMahol Akhshav-Dance Today380-81
The Legend of Rivka – On the Demise of Rivka ShturmanDan RonenHebrewMahol Akhshav-Dance Today44-5
Invisible Unless in Final Pain – About Ohad NaharinGaby AldorEnglishMahol Akhshav-Dance Today494-100
Breaking the Sereotype – Gender in danceSharon HaleviHebrewMahol Akhshav-Dance Today412-21
“Fokine’s Third Sex – Modern Reading in “le spectre de la roseHenia RottenbergHebrewMahol Akhshav-Dance Today427-31
Changing Roles, Whot are We? What is our Role?- Gender in Israeli DanceRuth EshelHebrewMahol Akhshav-Dance Today432-38
Man Reaps and Woman Gathers the Harvest – Euality of the Sexes in Israeli Folk DancingDan RonenHebrewMahol Akhshav-Dance Today439-45
Still Walking Barefoot – About Yardena CohenGiora ManorHebrewMahol Akhshav-Dance Today446-49
La La La, the “Human Krachtz”- An Interview with Anat DanieliShai HarlevHebrewMahol Akhshav-Dance Today450-55
Yasmin Vardimon: London is Waiting for HerMaya BahirHebrewMahol Akhshav-Dance Today456-60
McGregor’s World – Dance Students Meet the Random CompanyEinav RosenblitHebrewMahol Akhshav-Dance Today461-63
On the Body that Remembers (but doesn’t Forgive) – Points of Notes in the Development of Movement TherapyDita FedermanHebrewMahol Akhshav-Dance Today464-67
NewsHebrewMahol Akhshav-Dance Today468-72
Critic’s Opinions: Curtain Up 2000Rachel Bilski CohenHebrewMahol Akhshav-Dance Today474-77
Critic’s Opinion: “I used to go…” – A multi-field Appearance in the Setting of the Israeli Theatronetto FestivalZiona PeledHebrewMahol Akhshav-Dance Today478-79
New BooksHebrewMahol Akhshav-Dance Today484
Books Review: “Empire of Ecstasy” by Karl TeopferGaby AldorHebrewMahol Akhshav-Dance Today485
Dance In August: On the International Dance Festival in BerlinRachel Bilski CohenHebrewMahol Akhshav-Dance Today486-88
The Silk Route – The Biennale for Dance, Lyon 2000Ora BrafmanHebrewMahol Akhshav-Dance Today489-93
Dancing at the Beginning of the AgricultureYossef GarfinkelHebrewMahol Akhshav-Dance Today586-91
Dancing Know – How – What is it? What is it for? – Dancing’s Status as an Art EquivalentMilca LeonHebrewMahol Akhshav-Dance Today510-15
Ballet is not a Shrine – About Audrey de VosDina Shmueli HinkinsHebrewMahol Akhshav-Dance Today516-17
Kinesiology – From Anatomy to DanceShely BickelsHebrewMahol Akhshav-Dance Today518-21
The spine is a chain of pearls – the use of movement and imagery amongst children in studying the human bodyRonit FeingoldHebrewMahol Akhshav-Dance Today522-26
What is the Theater of Movements? -A definition of the Concept Movement-theaterRuth EshelHebrewMahol Akhshav-Dance Today527-33
Internal and external spaces – an improvisation workshop with Emanuel GriveEinav RosenblitHebrewMahol Akhshav-Dance Today534-36
Groupe harmony and energy – a workshop with Kay TakeiYonat RotmanHebrewMahol Akhshav-Dance Today537
Like in a dancers’ sect – a dance workshop at the Matte Asher community center – Ga’aton schoolRuth EshelHebrewMahol Akhshav-Dance Today538-41
Yearning for Israel – Karmon in danceDan RonenHebrewMahol Akhshav-Dance Today544-48
The dancing mask – Yehudit Greenspan creative workGiora ManorHebrewMahol Akhshav-Dance Today549-51
The Visual and the Literal – The Noa Dar EnsembleShai HarlevHebrewMahol Akhshav-Dance Today552-55
From the Caucasian Mountains to Israel – The Matayev EnsembleAyala Goren KadmanHebrewMahol Akhshav-Dance Today556-59
“Towards a premiere – Mathew Bourne’s “CarmenHenia RottenbergHebrewMahol Akhshav-Dance Today560-61
New Book: Body StoriesRonit LandHebrewMahol Akhshav-Dance Today569
A new dance trend in European danceLinda DankworthHebrewMahol Akhshav-Dance Today570-71
The Dance of the Disorderly: Jacek Lumminski and the Slaski Tear Talca Dance TheaterJoanna LesnierovskyaHebrewMahol Akhshav-Dance Today572-75
ביקורות: שש יצירות ושבעה כוריאוגרפים בגוונים במחול, מארס 2001Mahol Akhshav-Dance Today5
Ohad Naharin’s VirusGaby AldorHebrewMahol Akhshav-Dance Today578-79
The Fire of Passion, for the Sake of Romance – The Flamenco Festival at the Suzanne Dellal Center for Dance and TheaterSmeon LapinHebrewMahol Akhshav-Dance Today582-83
Institutalization and Centralization: Dance in Israel 1964-1977Ruth EshelEnglishMahol Akhshav-Dance Today686-92
“מזורקה פוגו” (Masurca Fogo) / תיאטרון מחול וופרטל/ ביקורת מחול מאת רות אשל
פוגה/ Fugue/ כוראוגרפיה: ענבל פינטו/ מרכז סוזן דלל 3.5.2018
אסילום/Asylum/ כוראוגרפיה: רמי באר/ היכל אמנויות הבמה הרצליה 27.6.2018
Carmen Nova/ שרון אייל וגיא בכר/הבלט הישראלי/ בית האופרה, תל אביב-יפו 16.5.2018
“תחת מצור”- תיאטרון המחול יאנג ליפינג / כוראוגרפיה ובימוי: יאנג ליפינג / האופרה הישראלית תל-אביב / 26.4.2018
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